>stars in Malick kino
>stars in De Palma kino
>stars in Altman kino
>funds Eraserhead>Spacek's performance was widely praised and led to a nomination for Academy Award for Best Actress. Pauline Kael of The New Yorker wrote: "Though few actresses have distinguished themselves in gothics, Sissy Spacek, who is onscreen almost continuously, gives a classic chameleon performance. She shifts back and forth and sideways: a nasal, whining child; a chaste young beauty at the prom; and then a second transformation when her destructive impulses burst out and age her. Sissy Spacek uses her freckled pallor and whitish eyelashes to suggest a squashed, groggy girl who could go in any direction; at times, she seems unborn–a fetus. I don't see how this performance could be any better; she's touching, like Elizabeth Hartman in one of her victim roles, but she's also unearthly—a changeling."[16]

>After Carrie, Spacek played the small role of housekeeper Linda Murray in Alan Rudolph's ensemble piece Welcome to LA (1976) and cemented her reputation in independent cinema with her performance as Pinky Rose in Robert Altman's classic 3 Women (1977). A review in The New York Times said, "In this film Miss Spacek adds a new dimension of eeriness to the waif she played so effectively in Carrie."[17] Altman was deeply impressed by her performance: "She's remarkable, one of the top actresses I've ever worked with. Her resources are like a deep well." De Palma said: "[Spacek is] a phantom. She has this mysterious way of slipping into a part, letting it take over her. She's got a wider range than any young actress I know."[18] Spacek helped finance Eraserhead (1977), David Lynch's directorial debut, and is thanked in the film's credits.

Sissy Spacek

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