Traditional animationE

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I am a traditional animator. I draw every frame by hand.

It's slow work, and that's the point: every line carries a decision, every frame a bit of weight and breath that software can't fake. Traditional animation taught me to see — to understand motion, spacing, and acting before a single pixel ever touches a screen. The tools have changed around me, but the craft hasn't: you still have to draw it, feel it, and make it move.