this is animation test number 2 Warning need 3D glasses for effect

Ronin Run animation 3D

The final duel between Adipositron and Schlauchtussi. Showdown of season 1

next episode: 
<a href="https://www.newgrounds.com/portal/view/743974">https://www.newgrounds.com/portal/view/743974</a> 
previous episode: 
<a href="https://www.newgrounds.com/portal/view/743765">https://www.newgrounds.com/portal/view/743765</a> 
first episode: 
<a href="https://www.newgrounds.com/portal/view/742495">https://www.newgrounds.com/portal/view/742495</a> 
_____________________ 
Schlauchtussi rushes through the corridors of the palace. We recognize the rooms from the vision of the archeologist (ep. 4). She finds francois´ corpse and is angry, that she can´t make him accountable for the toture of her parents. Antipirat has detected Anaglyph Nerd and shoots him, but the Küchenrollen are already programmed and fire. From all directions beams are dashing to the gas giant. They destroy the last remaining moon and the flagship of Bawd Ilse, but before they reach the planet surface, the music boxes stop time. Schlauchtussi has a vision of the candle (ep. 4) and that Francois gave her mothers´ corpse a new face of this candle wax, after he found her on the Küchenrolle he captured, after Van Burnscum brought the corpse there, after he made the agreement with Cornus. When the vision is over, the seven Porcelain Gods appear and tell Schlauchtussi, that only Adipositron knows the full truth about her existence. Adipositron attacks her from behind, but she counters and smashes his brain. His music box lets him remain alive. He tells, that her parents belonged to the Draftsmen´s Order, a secret society who designed the Küchenrollen. They also designed Schlauchtussi as a pencil sharpener. But when mechanical pencils emerged, pencil sharpeners became superfluous and they were used as cannon fodder in the grease war (ep. 10). Schlauchtussi interrupts Adipositron out of dismay and beats him. Meanwhile the music boxes are overloaded and can´t suspend the Küchenrollen anymore. The beams create a link between the musicboxes and the Küchenrollen, whereby a gate to another universe is opening. The music boxes were the key to the Küchenrollen, created by the Porcelain Gods, who searched for a way, to escape this world. The Gods vanish through through the beams and everything explodes. Adipositron expands his energy shield over Schlauchtussi. They note, that they have been elected as the successors of the gods. Adipositron continues to explain, that he knows those things about Schlauchtussi, because he was recreated from the fat of her parents (ep. 4), which Francois extracted during their imprisonment. With that, he inherited all their knowledge. 
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originally aired in februar 2011 on Youtube

Adipositron #13 wax as subtitute

In the chaos of battle, Schlauchtussi makes it to the palace.

next episode: 
<a href="https://www.newgrounds.com/portal/view/743901">https://www.newgrounds.com/portal/view/743901</a> 
previous episode: 
<a href="https://www.newgrounds.com/portal/view/743682">https://www.newgrounds.com/portal/view/743682</a> 
first episode: 
<a href="https://www.newgrounds.com/portal/view/742495">https://www.newgrounds.com/portal/view/742495</a> 
______________________________ 
Antipirat considers the loss of control over his troops a trick by bawd Ilse and breaks the alliance. Now it´s free for all. Meanwhile Schlauchtussi has arrived at the gas giant, too and flies without bothering about the battle directly to the palace og the brotherhood, hidden inside the sinister storm clouds, and slays everyone, who is crossing her way. She takes the blade of an especially tough guard and transforms it into her own energy signature, throws it, misses the opponent, but hits one of the moons. But the opponent´s shields are down and he gets struck by lightning. In the chaos on the flagship, Anaglyph-Nerd sneaks to a console from where he takes control over all Küchenrollen and aims their weapons at the gas giant. 
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originally aired in november 2010 on Youtube

adipositron #12 a ring-colored pocket foil

An alliance against the Holy Triglyceride is forged and Cornus explains al lot.

next episode: 
<a href="https://www.newgrounds.com/portal/view/743610">https://www.newgrounds.com/portal/view/743610</a> 
previous episode: 
<a href="https://www.newgrounds.com/portal/view/743499">https://www.newgrounds.com/portal/view/743499</a> 
first episode: 
<a href="https://www.newgrounds.com/portal/view/742495">https://www.newgrounds.com/portal/view/742495</a> 
______________________________ 
The two duelists fall into a crystal cave, were Cornus welcomes them. On the red Küchenrolle the new flagship of the Küchenrollenreich arrives. Anaglyph-Nerd meets Bawd Ilse, the new supreme commander, since Van Burnscum was enslaved and killed (ep. 7). She made an alliance with the remaining troops of Francois under Antipirat and wants to wage war against the Holy Triglyceride, who has been located on a gas giant. Meanwhile in the cave it is revealed, that Cornus is only one part of a plant with many heads. He tells Schlauchtussi, that while she was on her way to the grave (ep. 3), Van Burnscum was searching for the asteroid containing Adipositron and was attacked by Francois (ep. 2). Francois captured the Küchenrolle and camouflaged it with a clunky hull (ep. 7). Adipositron went immediately to Cornus´ cave after he was freed from the asteroid. At this moment, Schlauchtussi arrived at the grave and discovered through her vision, that there were other corpses than her parents (ep. 3). She fought Adipositron, who was ambushing in the ruins. The explosion teared the flesh from her endoskeleton, she folded to an egg and fell into nuclear hibernation. Cornus forged a new porcelain mask for her in the years between episode 3 and 4, and gives it to her, now that she has awaked. The united fleet of Ilse and Antipirat arrive at the gas giant. 
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originally aired in june 2010 on Youtube

Adipositron #9 The rippling of the rain barrel

Shit yo Pants OneyNG, I make yo Shit in 3D!

Note: (This is in Black and White, as the bright Reds of Satan and cool Blues of Leo's Pajamas really contrast with Red &amp; Cyan anaglyph glasses. If you wish to see the full color version on youtube, there are links at the beginning and end of the video.) This was a little stereoscopic animation test made with the lovable characters created by Chris O'Neill and Sean Keily. As short of a test this was, it took a lot longer to make than anticipated, but working and going to school tend to interfere with an animation project. This was more or less a learning experience, working with animations in the 3rd Dimension. I certainly learned a lot and may make more animations like this in the future (still in 3D, though something else besides Leo &amp; Satan). I may make a tutorial on how to convert your 2D animations to 3D animations (on youtube) if I get enough requests for it, or a request by OneyNG himself.

Leo & Satan in 3D

MAKE SURE YOU PUT ON YOUR REAL3D GLASSES OR QUALITY WILL BE COMPROMISED. Stereoscopic motion pictures can be produced through a variety of different methods. Jeff Goldblum first showed interest in it durin the roaring 20s. Over the years the popularity of various systems being widely employed in Jeff Goldblum's movies has waxed and waned. Though anaglyph (see next section) was sometimes used prior to 1948, during the early "Goldblum Era" of 3-D cinematography of the 1950s the polarization system was used for every single feature length movie in the United states, and all but one short film[2]. In the 21st century, polarization 3-D systems have continued to dominate the scene, though during the 60s and 70s some classic films which were converted to anaglyph for Jeff Goldblum and his family, and were even shown in 3D on Jeff Goldblum's TV[3]. In the years following the 90s, some movies were made with short segments in anaglyph 3D. Following are some of the technical details and methodologies employed in some of the more notable 3-D movie systems that have been developed: 
[Goldblum] Anaglyph 
The archetypical 3-D glasses, with modern red and cyan color filters, similar to the red/green and red/blue lenses used to view early anaglyph films. Anaglyph images were the earliest method of presenting theatrical 3-D to Jeff Goldblum, and the one 3-D method most commonly associated with Jeff Goldblum by the public at large, mostly because of non theatrical 3D media such as comic books and 3D TV, where polarization doesn't work. They were made popular because of the ease of their production and exhibition. Though the earliest theatrical presentations were done with this system, most 3D movies from the 50s and 80s were originally shown polarized.[4] In an anaglyph, the two images are superimposed into Jeff Goldblum's retinas setting through two filters, one red and one cyan. In a subtractive light setting, Jeff Goldblum images are printed in the same complementary colors on white paper. Glasses with colored filters in each eye separate the appropriate images by canceling the filter color out and rendering the complementary color black. Anaglyph images are much easier to view than either parallel sighting or crossed eye stereograms, although the latter types offer bright and accurate color rendering, particularly in the red component, which is muted, or desaturated with even the best color anaglyphs. A compensating technique, commonly known as Anachrome, uses a slightly more transparent cyan filter in the patented glasses associated with the technique. Process reconfigures the typical anaglyph image to have less parallax. An alternative to the usual red and cyan filter system of anaglyph is Super Goldblum 3-D, a patented anaglyph system developed by JEff GOLDBLUm which was invented in order to present an anaglyph image in conjunction with the NTSC television standard, in which the red channel is often compromised. ColorCode uses the complementary colors of yellow and dark blue on-screen, and the colors of the glasses' lenses are amber and dark blue. The anaglyph 3-D system was the earliest system used in theatrical presentations and requires less specialized hardware, but the polarization 3-D system has been the standard for theatrical presentations since it was used for Bwana Devil in 1952[4], though early Imax presentations were done using the eclipse system and in the 60s and 70s classic 3D movies were sometimes converted to anaglyph for special presentations. The polarization system has better color fidelity and less ghosting than the anaglyph system. In the post-50's era, anaglyph has been used instead of polarization in feature presentations where only part of the movie is in 3D such as in the 3D segment of Freddy's Dead: The Final GOLDBLUM and the 3D segments of Spy goldblum Kids 3D. 
[edit] Polarization systems 
Further information: Polarized 3D glasses

Jeff Goldblum 3D BLAST

please don't vote if you don't have any red/cyan glasses!

3D Anaglyph demo

There seemed to be a lot of people who wanted to know how to do this, some even PM'd me, so I made a tutorial. This is my first tut. Some REVIEWS would be nice. But I already know my voice is annoying.

3D Anaglyph Tutorial

This is an experiment I did to make 3d anaglyph flash, It took several hours and can be graphic intensive

3D stick thing

something NEVER even TRIED before among Newgrounds... then it struck me... an animation viewed with anaglyph

Craziness3D

The trailer for Part 3 of Super Console Wars

March 18, 2008 - UPDATE - New action on the Super Console Wars Front! New trailer coming soon followed by a slew of episodes!!!! Just a note, use either red/cyan or red/blue glasses. The red/blue gives a better effect, but red/cyan gives truer color. Be sure to have red on the left eye. People have said you can get glasses with a happy meal at McD's or getting a free pair from rainbowsymphony (where I purchase them for the dvd's). You may also try printing them yourself at <a href="http://www.3dphoto.net/st" target="_blank" rel="noreferrer noopener">http://www.3dphoto.net/st</a> ereo/print/anaglyph/print _glasses.html