For those who will incur the price of change.

How Much For This? For those who will incur the price of change.— RKS _______FOREWORD:How Much For This is a stream of consciousness film created from personal material gathered from my trips and travels to the North of the country. The film is a hybrid of real life photography and hand drawn scenes, centred around the concept of manoeuvring, restriction and liberation. How Much For This is the second major release under Roadkill Studios, which begins the expansion into developing a larger world. The chronology of How Much For This is subsequent to Conquer the Foe._______ Support Roadkill Studios on Ko-Fi: <a href="https://ko-fi.com/roadkillstudiosofficial" target="_blank" rel="noopener noreferrer nofollow">https://ko-fi.com/roadkillstudiosofficial</a> Official Soundtrack: <a href="https://ultrabluemadness.bandcamp.com/album/how-much-for-this-official-soundtrack" target="_blank" rel="noopener noreferrer nofollow">https://ultrabluemadness.bandcamp.com/album/how-much-for-this-official-soundtrack</a> NOTICE: This film contains disturbing, graphic, and mature material. This film was created for artistic and introspective purposes and is not intended to deliberately offend. All characters appearing in this film are entirely fictitious; any resemblance to real persons, living or dead, is purely coincidental. This film does not contain any AI-generated images or music. This film contains flashing lights, disturbing imagery, and other material that some may find upsetting. This film is intended for mature audiences only and is not directed toward children.Viewer discretion advised._______ “The pleasant taste of a wine does not belong to the objective determinations of the wine”- Immanuel Kant

How Much For This?

Official fanfare opening for Roadkill Studios (Est. 2018)

This is the official opening/fanfare/ident for Roadkill Studios™. Roadkill Studios™ is a dark multimedia production studio established December 2018. Roadkill Studios aims to bring films, interactive media, and music easily accessible online. Music and artwork composed by myself. NOTICE: Roadkill Studios™ produces fictional, animated works that may containdisturbing, graphic, or otherwise mature material. These works arecreated for artistic, satirical, introspective, and/or documentarypurposes and are not intended to deliberately offend. Allcharacters appearing in these works are entirely fictitious, anyresemblance to real persons, living or dead, is purely coincidental.These works do not contain any AI generated images or music. Someworks may contain flashing lights, disturbing imagery, or othermaterial that some may find upsetting. These works are intended formature audiences only and are not directed toward children.Viewer discretion advised.

Roadkill Studios: Official Opening

Read the description for lore and detailed programme information.

Conquer the Foe To all those whose truth has been silenced or forgotten.— RKS _______FOREWORD:Conquer the Foe is Roadkill Studios first ever short film. It is a hand-drawn anti-incidentalist film which pays homage to classic point-and-click Flash game culture. The film began development in March 2025, and was composed, illustrated, edited, written, and published by one amateur artist. All music and artwork was created by me, although some characters and visual elements are deliberate homages to, adaptations of, or parodies of works that influenced the film. At the centre of the film is the film theory principle of anti-incidentalism. The notion that every visible character in a film must have a defined history and identity, irrespective of whether that history is immediately apparent to the viewer. The film is therefore intended to be experienced not merely as a graphic chase scene, but as insight into fragments of a larger world beyond what the viewer sees on screen. The need for a film like this is to fulfil the duty of laying the groundwork for a comprehensive anti-incidentalist narrative long term. In some respect, the "art" of anti-incidentalism is to attempt to prepare for questions that will be asked in the future. The film was created both as an exploration of this principle and as a personal homage to the visual and artistic style of 2010s Flash games. Conquer the Foe is the first major release under Roadkill Studios, and it represents the start of a wider body of work that the studio will continue to develop over time. _______ACKNOWLEDGEMENTS:Hundreds of hours were dedicated to the completion of this short film. Although entirely created by one individual, we must thank the developers whose artistic influences enabled this film to be made in the first place. We thank Chriss Martin, Yan Lepage, Mario Boutin, Jo Fortier and Josee Godbout for Desolation: The Stages of Anxiety. Their work on this project is noted for the prominent grim-minimalist art style and inspiration for many character designs in the film. Stage 1 was constructed as a tribute to Desolation.Credit: <a href="https://www.kongregate.com/en/games/webcypher?page=7" target="_blank" rel="noreferrer noopener">https://www.kongregate.com/en/games/webcypher?page=7</a> We thank Hyptosis for The Sagittarian and for his excellent hand-drawn style, which inspired the horde/chase elements of the film and several character designs, particularly in Stage 2.Credit: <a href="https://hyptosis.newgrounds.com/">https://hyptosis.newgrounds.com/</a> We thank Mateusz Skutnik for Submachine, and for over 20 years of consistent artistic output and contribution to the point-and-click genre, the influence of which cannot go unnoticed for this film.Credit: <a href="https://www.mateuszskutnik.com/" target="_blank" rel="noreferrer noopener">https://www.mateuszskutnik.com/</a> We thank Patrick Majewski for Monster Basement and its sequel. These games established an artistic vision that largely inspired Stage 2. We also thank Patrick Majewski for permission to include The Mud Vile from Monster Basement as part of this film.Credit: <a href="https://godlimations.newgrounds.com/">https://godlimations.newgrounds.com/</a> We thank Igor Stravinsky for The Rite of Spring. A composition that completely redefined modern music and paved the way for many of the film soundtracks released in the last century. From the creator:To my mentors from the conservatory — whose names have been omitted for privacy — I thank you for your knowledge and expertise in which you shared with great generosity. The role of mentor should not be undervalued, for the role they play in forming a trainee's professional (and sometimes personal) life can be profound. Their contributions both directly and indirectly have helped shape the vision of this film and will define all future Roadkill Studios productions. I remain indebted to them for their dedication, patience, and time they commit to providing guidance and mentorship. _______Stage Descriptions:<ul><li>Prelude - The point in time before any disturbance. The prelude is the calm before the storm.</li></ul> <ul><li>Stage 1 - The first stage is the experience of a sudden distressing event; this stage is the realisation that something has gone horribly wrong as panic sets in.</li></ul> <ul><li>Stage 2 - This is the stage where panic is quickly replaced by a state of blunt, numbing dissociation.</li></ul> <ul><li>Stage 3 - Stage three is where the density of consciousness reaches its breaking point. Sanity is erased following a flash of light, and the incomprehensible suddenly becomes known.</li></ul> <ul><li>Stage 4 - Consciousness returns hours later; the embers of the previous stages continue to burn as comprehension slowly reconsolidates. Episodes of delirium continue, with flashes of mnemonic rupture followed by further disorientation. The acute event is over but effects fluctuate over several hours.</li></ul> Support Roadkill Studios on Ko-Fi: <a href="https://ko-fi.com/roadkillstudiosofficial" target="_blank" rel="noreferrer noopener">https://ko-fi.com/roadkillstudiosofficial</a> NOTICE: This film contains disturbing, graphic, and mature material. This film was created for artistic and introspective purposes and is not intended to deliberately offend. All characters appearing in this film are entirely fictitious; any resemblance to real persons, living or dead, is purely coincidental. This film does not contain any AI-generated images or music. This film contains flashing lights, disturbing imagery, or othermaterial that some may find upsetting. This film is intended for mature audiences only and is not directed toward children.Viewer discretion advised. “It is necessary to say and to think that Being is; for Being is, and Nothing is not.”— Parmenides, On Nature, fragment B6

Conquer The Foe

An introspective story starring Miantiao🐰💭🌟---[TEAM]Miantiao's VA - <a href="https://cottontail.newgrounds.com">@cottontail</a>Pianai's VA - <a href="https://minteava.newgrounds.com">@minteava</a>Zhima's VA - <a href="https://pixiewillow.newgrounds.com">@pixiewillow</a>Dou's VA - <a href="https://oolaytiger.newgrounds.com">@oolaytiger</a>Demon (ShenYouer) - <a href="https://deltavoice.newgrounds.com">@deltavoice</a>Pianai Dad's VA - <a href="https://thewhalehole.newgrounds.com">@thewhalehole</a>Music - <a href="https://vanware.newgrounds.com">@vanware</a>Sound Design - <a href="https://x.com/sinnthaudio" target="_blank" rel="noreferrer noopener">sinnthaudio</a>Video Edition - <a href="https://www.instagram.com/cat.parada_/" target="_blank" rel="noreferrer noopener">cat.parada</a>Colorist - <a href="https://bonipops.newgrounds.com">@bonipops</a>---Please, if you like this side of my characters, the canonical content, the real story behind this series, I would be VERY VERY grateful if you support these kind of chapters, only you can help me to make it reality🌟---Approximate total cost of producing ONLY THIS VIDEO: US$3000Approximate production time: 2 months

Miantiao's Empathy (AUDIO VERSION)

Mold-able plastics, spray paint, and dragon girl oc. This introspective look shows what it takes to create the toy that has critics raving, how is it really made? There's lots of references in her little adventure. I was able to create almost everything myself, but I wanna give a special thanks to <a href="https://whimsical-wife.newgrounds.com/" rel="nofollow">@whimsical-wife</a> for convincing me to join the ToyBox Collab and opening the door to me creating more than a PNG to begin with. <a href="https://www.newgrounds.com/portal/view/975338">Go check it out!</a> I know for a fact this movie wouldn't be what it is now without <a href="https://thenormalmusic.newgrounds.com/" rel="nofollow">@TheNormalMusic's</a> amazing song! It honestly curated the ideas and what became the visuals from the start, thank you both! Bucket is by @/Tomonaku. I couldn't really get my little easter egg to function how I wanted, so if you know as3 and wanna help out slide a PM. I'd love to throw an achievement on this movie but idk if thats possible. Fera does not approve...

How It's Made: Toy Fera

Halloween or whatever

Lonely Thoughts

Celebrating over TWENTY years of Lockhood!

Hello again, Newgroundites. It seems once again Lock Day is upon us. This year makes twenty years since I first joined the Lock Legion back in 2024. I thought it would be nice to <a href="https://www.newgrounds.com/portal/view/639964">revisit a small little joke flash</a> I made to reflect on a milestone ten years ago and expand on it a bit. I do wish I was able to create something just as silly as that one, but at the moment I think some quiet reflection is called for. In any case, i hope you can find a little joyin viewing this. Time is a funny thing. When you're younger it seems like you have all the time in the world and that the future is always bright. As you get older it becomes almost frightening just how fast time can fly by without you even realizing it. Sometimes it seems as if you blinked and suddenly an entire decade has flown by and you're just left wondering what just happened. It could be that I'm just much more introspective about things because I lost a loved one yesterday. Still, I think it's a positive to take a step back and breath now and again and just see where you've come and where you'd like to go in life. I love you, Grandma. Thank you for always being there for me.

Twenty Years A Lock

Vin gets interviewed for an upcoming film then dies

In this side-splitting comedy, Vin Diesel takes center stage as he strolls down the red carpet amidst a sea of adoring fans and relentless paparazzi. Everywhere he goes, he's engulfed by a vast ocean of devotees, each captivated by his aura, and by the ceaseless flash of ever present cameras. Amid the sparkling allure and glinting elegance of the Hollywood film world, he serendipitously meets Jen Jester. Jen, a refined and graceful reporter with an eye for detail, manages to secure a quiet, intimate moment with the star. As Jen delicately delves into the intricacies of Vin's most recent cinematic masterpiece, Vin's answers seem to dance around a singular motif: the ever-enchanting concept of 'beauty.' Every response, every gesture, every word seems to echo with this theme. Jen, poised and professional, finds her composure tested by Vin's incessant reflections on beauty in its myriad forms. Will Vin's consistent and almost entrancing preoccupation with the term 'beautiful' push the composed Jen to the edge of her patience? This innovative animation offers not just a light-hearted jest, but a deep, introspective dive into the surreal realm of celebrity interviews. It masterfully intertwines gut-busting humor with elements of otherworldly beauty. Vin Diesel's peculiar yet endearing responses, echoing with the word 'beauty' at every turn, weave an intricate tapestry that gradually unfolds, culminating in a climax that's not just unexpected but brilliantly defies all traditional expectations, leaving viewers both amused and profoundly moved. Settle in for a masterpiece of visual storytelling—a beautifully constructed, deeply reflective video that intricately examines the fine details of celebrity culture, all while celebrating the multifaceted nature of beauty. Surrender to the magnetic allure of Vin Diesel's final ride, where every moment, every frame, is not just a mere snapshot; but an eloquent ode to unadulterated beauty in its purest form. Mouth animation by Forrest &amp; Riky<a href="https://www.youtube.com/@rikyismyname" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/@rikyismyname</a> Support more animations on Patreon ► <a href="https://www.patreon.com/forrestfire101" target="_blank" rel="noopener noreferrer nofollow">https://www.patreon.com/forrestfire101</a>

Vin Diesel Goes to Beautiful World

This is an anthology film which is a trilogy and comprises some of my previous works. From dehumanizing the enemy to dehumanizing the perceived self in a dying world, the film attempts to navigate through the chaos of tragedy and transcendence. It's a story about the new Zarathustras of our world, and it's also one about embracing absurdity, akin to a smiling Sisyphus. The trilogy, as depicted through the short films "Fragile Symphony," "World of Grey Men," and "Guardless," offers an exploration of the human experience in the face of existential challenges, societal structures, and the relentless passage of time. At its core, the trilogy is a meditation on death—not merely as a biological inevitability but as a pervasive force that shapes individual and collective consciousness. In "Fragile Symphony," the narrative unfolds amidst the backdrop of a calamity, symbolized by the sinking of the RMS Symphony. The dehumanization of the "enemy" during wartime serves as an introduction to the harsh realities of human conflict. Here, the trilogy sets the stage for an examination of how societies, in the pursuit of power and survival, often reduce individuals to mere entities, stripping away their humanity. "World of Grey Men" delves into the contemporary landscape, particularly the tumultuous times marked by the COVID-19 pandemic. The protagonist, a student navigating the complexities of a world in crisis, reflects on the structures that govern human behaviour. The concept of the "guard" serves as a metaphor for both societal authority and the perception of a higher power. The film contemplates the consequences of expanding the metaphorical panopticon, drawing parallels between societal structures and the panopticon's watchful gaze. "Guardless" catapults us into a speculative future where the grand narratives of the present have collapsed. The protagonist, an artist, grapples with a world devoid of traditional theological structures. The film explores the banality of existence in a post-collapse era, where the mundane takes centre stage. In this narrative, the "guard" transforms into an abstract concept—a symbolic representation of the death of God and the dismantling of traditional belief systems. Throughout the trilogy, the themes of dehumanization, existential questioning, and societal critique resonate. The protagonists—be they anonymous grey figures or introspective artists—become vessels for the audience to contemplate the human condition. The absence of explicit identities allows viewers to project themselves onto these characters, making the themes universally relevant. The concept of a Nietzschean Zarathustra echoes through the trilogy, not as a singular character but as an idea that manifests differently in each film. The new Zarathustras of the world are not only mourners of the death of God but, in a contemporary twist, may also be complicit in killing or redefining these metaphysical entities. This dynamic highlights the evolving nature of belief systems and the responsibility individuals bear in shaping the narratives that govern societies. The trilogy engages with philosophical ideas from thinkers such as Simone de Beauvoir and Audre Lorde. The distinction between the master, vulnerable, and powerful, as well as the critique of using the master's tools to dismantle the master's house, add layers of depth to the exploration of power dynamics, oppression, and societal structures. The Proustian and Kafkaesque moments contribute to the atmosphere of the trilogy. For instance, the juxtaposition of dystopian imagery and moments of melancholia in "World of Grey Men" tries to create a nuanced emotional landscape. The trilogy borrows elements from existential philosophy, absurdism, and critiques of societal structures to craft a narrative that invites introspection and contemplation. In essence, this trilogy is a tapestry of ideas. This philosophical exploration invites the audience to confront the fragility of existence, grapple with the consequences of societal choices, and reflect on the ever-shifting nature of belief systems.

On the Edge of Transcendence

Part of a collection of stories called Audiobooks For Whales

Bunny talks about his feelings. Follow me on Spotify, Twitter or YouTube for more music and artsy stuff :))<a href="https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00" target="_blank" rel="noopener noreferrer nofollow">https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00</a><a href="https://twitter.com/Cosi_postrock" target="_blank" rel="noopener noreferrer nofollow">https://twitter.com/Cosi_postrock</a><a href="https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw</a>

Backyard Campers - Chapter 4

Dog and Bunny share an intimate conversation. Dog realizes he can be helpful in his own way. Follow me on Spotify, Twitter or YouTube for more music and artsy stuff :))<a href="https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00" target="_blank" rel="noopener noreferrer nofollow">https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00</a><a href="https://twitter.com/Cosi_postrock" target="_blank" rel="noopener noreferrer nofollow">https://twitter.com/Cosi_postrock</a><a href="https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw</a>

Backyard Campers - Chapter 2

Follow me on Spotify, Twitter or YouTube for more music and artsy stuff :))<a href="https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00" target="_blank" rel="noopener noreferrer nofollow">https://open.spotify.com/artist/1Z16kzyhZAsOzA9pIQQm00</a><a href="https://twitter.com/Cosi_postrock" target="_blank" rel="noopener noreferrer nofollow">https://twitter.com/Cosi_postrock</a><a href="https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/channel/UC4UKeRv47Ud3jN4Q0fMPuTw</a>

Backyard Campers - Introduction

Just two friends talking You can listen to the whole album on Spotify <a href="https://open.spotify.com/album/6M9qtlnc6FxZ5rfR137eM3" target="_blank" rel="noopener noreferrer nofollow">https://open.spotify.com/album/6M9qtlnc6FxZ5rfR137eM3</a>

Moonchasers 1

John is left alone on a planet with no one to talk to but his A.I. Suit.

After John is left alone on a remote planet, he finds himself contemplating the gravity of his decision with his A.I. Suit.

Desolate, John

short video i made yesterday. in the style of that one video i made last year

half full

Unity made music vid for Serlöf by Aaron Taecker-Wyss

Serlöf’s “sound” is that he has no specific style; the only thing consistent is quality. Reinventing himself again, the “Imaginary Victories” EP (out November 12) is charged with tense and explosive moments that elevate his introspective lyrics. The lead single “They Told Me” brings us into a cold world, which is expanded upon in the Unity-built music video by the game developer Aaron Taecker-Wyss. Exciting, challenging, and innovative, Serlöf enters the hyperpop venn-diagram in the overlap with experimental jazz to give us another brilliant body of work. stream/download the song ~ <a href="https://smarturl.it/Serlof-TheyToldMe" target="_blank" rel="noreferrer noopener">https://smarturl.it/Serlof-TheyToldMe</a>Aaron Taecker-Wyss ~ <a href="http://aarontw.com/" target="_blank" rel="noreferrer noopener">http://aarontw.com/</a> Previously Serlöf had a release that would please fans of digital fusion: an OST for a video game that doesn’t exist. It’s called “Purple Juice” ~ <a href="https://deskpopmusic.bandcamp.com/album/purple-juice" target="_blank" rel="noreferrer noopener">https://deskpopmusic.bandcamp.com/album/purple-juice</a>

Serlöf - They Told Me (Music Video)

a video about some thoughts that you may or may not like, with some music you may or may not like.

new thoughts

An ironic take on some hamrful conducts, such as: trying to see ourselves from other people's eyes I've tried to portray a sense of my psychic and cognitive reality from a cynical and sarcastic perspective I'm new to animating and this is a test. I am very aware I still got a lot to learn Youtube link: <a href="https://youtu.be/PqtHsXF3pQk" target="_blank" rel="noopener noreferrer nofollow">https://youtu.be/PqtHsXF3pQk</a>

YSSENNEH (TEST)

Bongus is amaerica's number 1 hit star, today he takes a fan call!

Welcome to the Bongus show! In this show, america's favourite person whos name starts with B, Bongus, will show off a more personal look at his life. We will see thrills, chills, laughs and gaffs in every episode! In episode 1, Bongus gets a call from a fan! WOAH! I want to thank:Jens for playing the fanand Kr0niic tooalso markiplier for helping me with the cameo at the end! this is epic!

Bongus show ep1: Call from a fan

A short film I made for university two weeks before the deadline because of who I am as a person.

The What-If Introspective

In a world full of games seven marbles take on an army of enemy Dice.

In a world full of games seven marbles take on an army of enemy Dice. These enemies are oppressing all the other games confiscating their rules and forcing them to play but never win. The freedom of all is stake. 
Story Creator: Gerry Brown 
Animation: DeAndre Reid 
Backgrounds: DeAndre Reid, Shyla Brown 
Music: Gerry Brown, Eric Matyas 
Game: <a href="http://www.gbless.net/animated-movies.html" target="_blank" rel="noopener noreferrer nofollow">http://www.gbless.net/animated-movies.html</a> 
Music Website:<a href="http://soundimage.org/introspective/" target="_blank" rel="noopener noreferrer nofollow">http://soundimage.org/introspective/</a> 
Youtube: <a href="https://www.youtube.com/channel/UCyoircriV5yWI3U4SvDX-Ww" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/channel/UCyoircriV5yWI3U4SvDX-Ww</a>

GAME

After wondering in the woods and finding his own body hanged, a boy steps on a introspective journey where the past and present blend. His love for birds and the feeling to leave his nest constantly haunt him.

The boy that grew wings (experimental short)

Subscribe to my youtube: 
<a href="https://www.youtube.com/channel/UCeB347xbaaNNZjb2UflRduw" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/channel/UCeB347xbaaNNZjb2UflRduw</a> for more cartoons like this. 
Made with Microsoft paint/Windows movie maker in spare time.

Relatable

This was my semester final for studio. It took about 4 weeks to make. It was initially going to be a more introspective narrative, but then I figured that keeping it dumb would be truer to the experience this is based on. Youtube link just because: <a href="https://www.youtube.com/watch?v=ox0IQuwmnYs&amp;feature=youtu.be" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=ox0IQuwmnYs&amp;feature=youtu.be</a>

Hey, are you up?

Hey NG, I realize I'm not a great artist, and that the animations are basic and lame, but this was more of an experience in trying to determine something about myself. I had no internet and was learning a lot of these things on my own with trial and error. I knew I needed to complete a flash that I'd put work and thought into, and that it should take a few weeks or up to a month of work before I submit something. I also knew I needed to work on my depression to figure out why I drink so much. I came to no conclusion, but I hope you take pity on my shitty animation and realize that this flash isn't about showing off my skills as an artist, but more showing that I'm trying.. Including this line, I've made like 20 references to me. But why? Many thanks to Triskele for submitting this audio track to the portal. I feel it fits the theme of the movie perfectly.

Discuntnected

A deep and introspective story about a man who loses everything and must find a solution in order to satisfy his time.

"Got No Internet"

I didn't know what to do, so I decided to make you happy by creating this extremely introspective vision of the world, and I'm sure you all will enjoy it so much that you will send me all your money. Thank you. It took me forever to animate this epic movie. Ah, obviously, leave a lot of reviews. Yeah, I know that this toon is already awesome, but I can do even better if you just help me! 
--------- 
Edit August the 7th 2012: Mmmh it's been a while since this movie was uploaded, so I thought I could give you some backstage information, just to write something more. 
Valentine's Day has always been my least favorite day of the year, partly because I'm ugly as fuck and girls don't want me, but mostly because terrible stuff always happens to me. In 2010, I was hospitalized because of my wisdom teeth, and I've been having coagulated blood in my mouth for 2 weeks. I couldn't go to school, which was fine, but I was starting getting bored at home, so I came up with this toon. So, when listening to my voice in it, just imagine me with my mouth filled with blood, that should enhance the experience.

A Short about Burney!

Funny Flower Faces (Introspective Aquariums Await)

Short Film - The Pill

A poiniant look into the intrusive nature of the Greek culture with an introspective into... nah, its

A poiniant look into the intrusive nature of the Greek culture with an introspective into... nah, its just FDA