Read the description for lore and detailed programme information.

Conquer the Foe To all those whose truth has been silenced or forgotten.— RKS _______FOREWORD:Conquer the Foe is Roadkill Studios first ever short film. It is a hand-drawn anti-incidentalist film which pays homage to classic point-and-click Flash game culture. The film began development in March 2025, and was composed, illustrated, edited, written, and published by one amateur artist. All music and artwork was created by me, although some characters and visual elements are deliberate homages to, adaptations of, or parodies of works that influenced the film. At the centre of the film is the film theory principle of anti-incidentalism. The notion that every visible character in a film must have a defined history and identity, irrespective of whether that history is immediately apparent to the viewer. The film is therefore intended to be experienced not merely as a graphic chase scene, but as insight into fragments of a larger world beyond what the viewer sees on screen. The need for a film like this is to fulfil the duty of laying the groundwork for a comprehensive anti-incidentalist narrative long term. In some respect, the "art" of anti-incidentalism is to attempt to prepare for questions that will be asked in the future. The film was created both as an exploration of this principle and as a personal homage to the visual and artistic style of 2010s Flash games. Conquer the Foe is the first major release under Roadkill Studios, and it represents the start of a wider body of work that the studio will continue to develop over time. _______ACKNOWLEDGEMENTS:Hundreds of hours were dedicated to the completion of this short film. Although entirely created by one individual, we must thank the developers whose artistic influences enabled this film to be made in the first place. We thank Chriss Martin, Yan Lepage, Mario Boutin, Jo Fortier and Josee Godbout for Desolation: The Stages of Anxiety. Their work on this project is noted for the prominent grim-minimalist art style and inspiration for many character designs in the film. Stage 1 was constructed as a tribute to Desolation.Credit: <a href="https://www.kongregate.com/en/games/webcypher?page=7" target="_blank" rel="noreferrer noopener">https://www.kongregate.com/en/games/webcypher?page=7</a> We thank Hyptosis for The Sagittarian and for his excellent hand-drawn style, which inspired the horde/chase elements of the film and several character designs, particularly in Stage 2.Credit: <a href="https://hyptosis.newgrounds.com/">https://hyptosis.newgrounds.com/</a> We thank Mateusz Skutnik for Submachine, and for over 20 years of consistent artistic output and contribution to the point-and-click genre, the influence of which cannot go unnoticed for this film.Credit: <a href="https://www.mateuszskutnik.com/" target="_blank" rel="noreferrer noopener">https://www.mateuszskutnik.com/</a> We thank Patrick Majewski for Monster Basement and its sequel. These games established an artistic vision that largely inspired Stage 2. We also thank Patrick Majewski for permission to include The Mud Vile from Monster Basement as part of this film.Credit: <a href="https://godlimations.newgrounds.com/">https://godlimations.newgrounds.com/</a> We thank Igor Stravinsky for The Rite of Spring. A composition that completely redefined modern music and paved the way for many of the film soundtracks released in the last century. From the creator:To my mentors from the conservatory — whose names have been omitted for privacy — I thank you for your knowledge and expertise in which you shared with great generosity. The role of mentor should not be undervalued, for the role they play in forming a trainee's professional (and sometimes personal) life can be profound. Their contributions both directly and indirectly have helped shape the vision of this film and will define all future Roadkill Studios productions. I remain indebted to them for their dedication, patience, and time they commit to providing guidance and mentorship. _______Stage Descriptions:<ul><li>Prelude - The point in time before any disturbance. The prelude is the calm before the storm.</li></ul> <ul><li>Stage 1 - The first stage is the experience of a sudden distressing event; this stage is the realisation that something has gone horribly wrong as panic sets in.</li></ul> <ul><li>Stage 2 - This is the stage where panic is quickly replaced by a state of blunt, numbing dissociation.</li></ul> <ul><li>Stage 3 - Stage three is where the density of consciousness reaches its breaking point. Sanity is erased following a flash of light, and the incomprehensible suddenly becomes known.</li></ul> <ul><li>Stage 4 - Consciousness returns hours later; the embers of the previous stages continue to burn as comprehension slowly reconsolidates. Episodes of delirium continue, with flashes of mnemonic rupture followed by further disorientation. The acute event is over but effects fluctuate over several hours.</li></ul> Support Roadkill Studios on Ko-Fi: <a href="https://ko-fi.com/roadkillstudiosofficial" target="_blank" rel="noreferrer noopener">https://ko-fi.com/roadkillstudiosofficial</a> NOTICE: This film contains disturbing, graphic, and mature material. This film was created for artistic and introspective purposes and is not intended to deliberately offend. All characters appearing in this film are entirely fictitious; any resemblance to real persons, living or dead, is purely coincidental. This film does not contain any AI-generated images or music. This film contains flashing lights, disturbing imagery, or othermaterial that some may find upsetting. This film is intended for mature audiences only and is not directed toward children.Viewer discretion advised. “It is necessary to say and to think that Being is; for Being is, and Nothing is not.”— Parmenides, On Nature, fragment B6

Conquer The Foe

Porn pov featuring a raptor in maid costume

"Here's your key sir. Please follow our maid raptor over there, she will lead you to your room. Have a nice stay in the park."I took my room keycard from the receptionist and looked toward the elevator. There was an actual raptor right there, in the flesh! I already saw a tons of videos, commercials and documentary about the park and their dinosaurs, but man! Watching them with my own eyes instead of through a screen, this is a dream comes true! If I didn't win that ticket, I could never afford to come here!Maid raptor wasn't just a figure of speech, the creature was litterally a raptor wearing a maid outfit. I knew the park made a great effort at taming the dinosaur, making great progress at communicating with them, creating their own little intelligent society, but I never would have thought they reached a point they would understand the very concept of job, or at least service. The raptor maid looked at me, and I couldn't help but shiver, seeing her piercing predatory eyes starring to mine. One can only feel humble by that first look, an old prey feeling. She made a head gesture with a soft growl, obviously inviting me to follow her. I took my luggage and walked to her. She looked down and up on me, and I think she actually smiled but I may be wrong... We entered the elevator together.She checked on my keycard and pressed the right floor button with her snout. I was alone in a tight elevator with an actual breathing raptor aside of me. My heart was rushing. The situation felt both scary and exciting. I couldn't help but stare at this maid raptor. Her elegant shape, her razor sharp claws... her powerful legs... her exciting scent? I'm not exagerating, a scent of hormones was spreading in the air, it was hard not to understand the girl was in heat. She must be impatient of going back to her male I imagined.She turned to me with shining eyes, and purred slowly."Uhm, hey! I know you must hear that everyday... but I'm a big fan! Meeting you is an honor!".She growled happily. Maybe she was trained to do so, but to me, it meant the world. She approached her head to my hand and gave it a lick. An actual raptor just gave me an affectuous lick, what else could I ask for! I was so excited, I started petting her, until I realized she's cleverer than she looked like. I withdrew my hand."S...Sorry... that was rude of me, I..."She growled again, but this time she started rubbing her head on my belly, almost on my crotch. Now I was taken aback. The scent in the air was strong, being alone with this powerful beast in a tight elevator and my secret sexual attraction to the raptors gave me a rush. I was hard as hell. She starts smelling me. Oh god, she will understand how horny I am, she can tear me apart so easily for that. But she purred slowly... almost sensually... was I dreaming all that?*DING*The elevator's doors opened. End of the line. "Uhm... there we are, right?". The maid raptor shook her head, and started walking down the corridor, geturing for me to follow her. Seeing her walk, I could see her rump balancing, her tail waving in the air, high enough to see that small opening at the base of it, her cloaca. Horny as I was, my mind started wandering, I couldn't help but wonder how she felt... from her insides... how getting closer to her could be like...mating with her, or at least pretending we were, just for the pleasure of it... I tried to drive these thoughts from my mind. That was literally my first time encountering an actual raptor, and I already thought about having sex with her. I felt ashamed... then again, she started it right? Whatever, I should really control myself.We reached my room. "Thanks... and uhm... sorry about... the elevator..."She pushed me on my door, used her hands to block me, put a paw on the wall on my side, and growl right at my face. My first thought was "I screwed up, and now I'll pay the price of my depravity". But she stopped the growling, and started licking my face. No more mixed-signal, she was having her way with me. I started caressing her head, and open my mouth so I could lick her tong back. She growled in pleasure. She was waiting for it since the beginning.We sort of "kiss" for a little moment. She then started to move slowly down... down... down... I suddendly realized where we were."Right... right now? In the middle of this corridor? Shouldn't we move... inside?" She gave me a pleading look. Obviously she couldn't take too long for that, she had to get back to work soon. Whatever, this was the chance of my life. I unbuttonned my pants. She smiled, I'm sure of that. I exposed my dick out, harder than ever, very sensible. She put her snout around it, she was very careful with the teeth, as if this wasn't her first ride with a human. And maybe it wasn't, which is why she was so confident with me to begin with. And she started sucking. It was sensationnal. At this moment, I was the happiest man on Earth. After the Mia animation that was a lot harder to work on, I wanted to make something easier. While going through my files, I came across this raptor maid model I downloaded some times ago, and immmdiatly felt in love with her again! So I went for it! A new raptor animation, I haven't done it in some times! I had a lot of fun with her, I'm glad with the way this animation came out! I hope you'll love it as well!Raptor model by Dragon-v0942 ( <a href="https://www.furaffinity.net/user/dragon-v0942/" target="_blank" rel="noreferrer noopener">https://www.furaffinity.net/user/dragon-v0942/</a> ), maid version by Kenresek ( <a href="https://www.furaffinity.net/user/kenresek/" target="_blank" rel="noreferrer noopener">https://www.furaffinity.net/user/kenresek/</a> )Male model by PipedudeP ( <a href="https://x.com/PipedudeP" target="_blank" rel="noreferrer noopener">https://x.com/PipedudeP</a> ) voiced with ThunderingKVA ( <a href="https://twitter.com/ThunderingKVA" target="_blank" rel="noreferrer noopener">https://twitter.com/ThunderingKVA</a> ) free OpenNSFW voice pack ( <a href="https://x.com/OpenNSFWSP" target="_blank" rel="noreferrer noopener">https://x.com/OpenNSFWSP</a> )Background model by yeero3d ( <a href="https://x.com/Yeero3D" target="_blank" rel="noreferrer noopener">https://x.com/Yeero3D</a> ) MY SUPPORTERS ON SUBSCRIBESTAR HAD ACCESS TO THIS VIDEO WEEKS AGO FOR 1$, AND THE 5$ SUPPORTERS HAVE ACCESS TO A CLOTHLESS AND A NO MALE VOICE VERSION! JOIN THE CLUB! ( <a href="https://subscribestar.art/cavafly01" target="_blank" rel="noreferrer noopener">https://subscribestar.art/cavafly01</a> )

Raptor Maid Extra Service

Decided to make a little video edit for a piece of Gameoverse artwork I did.

Gameoverse Syntax game over screen

You don’t know what came over DVA but she suddenly abandoned her mecha and demanded to be fucked! This is a preview of what it looks like in VR taken as a screen recording, You can check it out in full VR on our Patreon, Subscribe Star, Fanbox or Itch Follow Us on Twitter!<a href="https://twitter.com/VRFuta" target="_blank" rel="noreferrer noopener">https://twitter.com/VRFuta</a> Patreon<a href="https://www.patreon.com/futavr" target="_blank" rel="noreferrer noopener">https://www.patreon.com/futavr</a> Subscribe Star<a href="https://subscribestar.adult/hentaivr" target="_blank" rel="noreferrer noopener">https://subscribestar.adult/hentaivr</a> Fanbox<a href="https://hentaivr.fanbox.cc/" target="_blank" rel="noreferrer noopener">https://hentaivr.fanbox.cc/</a> Itch<a href="https://hentaivr.itch.io/" target="_blank" rel="noreferrer noopener">https://hentaivr.itch.io/</a> Fansly<a href="https://fansly.com/HentaiVRstudio/posts" target="_blank" rel="noreferrer noopener">https://fansly.com/HentaiVRstudio/posts</a> TdonTran<a href="https://subscribestar.adult/tdontran" target="_blank" rel="noreferrer noopener">https://subscribestar.adult/tdontran</a>

Fucking DVA

Many of the main antagonists from Hell is Empty show up on a screen to taunt you!

[ You have one choice, creature. Leave in peace, or leave in pieces. Which do you choose? ] —Some Hell is Empty art! I’ll have more to show over time, but this is Juno, the “God of Taxidermy” (or so she says) 🦌 many of the antagonists of the game show up on screens to taunt Dreadnaught, who often taunts them back.

Juno - God of Taxidermy

GorillaWeb)

-Bossa Lullaby By: Axosun (ft. nicopatty)

Stock Audio

-Trash!

Summer Plans

Franklin finds something odd in the storeroom

<img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586310_28415006.webp" alt="iu_1586310_28415006.webp" data-smart-scale="764,317">VOODOO VIDS EPISODE 4: IN BRUCE WE TRUST Episode 4 is upon us and I hope you enjoy it! I'm aware that many people may not have seen the original Evil Dead movie. And you don't need to have seen it to have some fun in this episode, but there are a lot of references here that are connected to the Evil Dead series. If you want some more context before watching, maybe check out the last edition of the <a href="https://voodoovids.newgrounds.com/news/post/1619729">Spooky Zine</a>. ABOUT THE SPOOKY ZINEThe spooky zine is a once a month mini mag that explores some more of the local lore and connects with the episodes and world of voodoo vids in a way that's external to the animation. They are a bit of fun, but also can contain wider context for viewers that want to have some additional context. Or maybe you just want to read more about what's happening in the wider universe. A LOVE LETTER TO EVIL DEADThis episode is a love letter to Evil Dead and nods to the horror classic in certain ways I hope you would find nostalgic and at the same time, perhaps encourage some new people to seek out The Evil dead movies if you haven't seen them. You have to have a passion for old school splatter gore horror. But it's got a great blend of gore and comic styled over the top supernatural elements that are sure to delight, and Bruce Campbell is just brilliant as Ash Williams. I'm super excited to learn that there are rumors Bruce may even return to the movies in some capacity. I know currently Bruce is battling cancer, which is awful news, but as he said himself, "Fear not, I am a tough old son-of-a-bitch".I along with many fans are wishing him a good battle and hope he gets well soon! I'd love to see him on the big screen in Evil Dead again! Beyond this point there will be episode 4 spoilers so return to read the rest after you've seen the episode. <img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586325_28415006.webp" alt="iu_1586325_28415006.webp" data-smart-scale="764,317"> BEHIND THE SCENES OF EPISODE 4This episode took a lot longer to make than the others, I hope that shows and also thank you for your patience. The script went through a few re writes and last minute changes that extended the runtime. Having every character in a single episode comes with more challenges, making sure to give each of them a good scene. But I think it was worth it as if you like any character in particular they are all present in this one. THAT ICONIC INTROIf you are familiar with Evil Dead you will have noticed I did my best to pay homage to the opener from Evil Dead 2 that explains the Necronomicon's origins. Making that was so much fun, animating the front cover of the book, combining it with some stock footage of an ocean that I tinted red, and for the "ink effect" on the page reveals I used some simple track mattes of real ink drop footage to do that. I love how it turned out.I also did the narration in the intro, I rearranged elements of the original script to work better with the set up for this parody. My goal was to allow people who've never heard of, or watched Evil dead to get up to speed as quickly as possible with the idea that "this book is bad news" TECHNICAL STUFFOne of the biggest challenges is creating new environments and props. Something you see on screen for a few seconds in a few shots has had to be created from scratch. Some times I over engineer stuff too and I probably could've made the chainsaw without an actually animated chain... but because I did, It allowed me to get some cool camera angles of it in action.<img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586351_28415006.webp" alt="iu_1586351_28415006.webp" data-smart-scale="764,317"> Same can be said for the shotgun that Franklin is using. it is based of the same model they used in Evil Dead 2, the original film Ash used a single barreled Winchester, but the sequel it was a 12 guage double barrel Stevens model, and later in the 3rd movie it was a double barrel Stoeger Coach Gun, which is lovingly referred to now as "The Boomstick"Ash famously saws the barrel off in Evil Dead 2. Of course I needed a forest. Not any easy set to build but I made it easy by cutting a lot of corners, the whole forest set is just a simple plane with a particle system placing tree images randomly across the surface.<img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586349_28415006.webp" alt="iu_1586349_28415006.webp" data-smart-scale="764,495">I made it within an hour and the lighting is doing most of the heavy lifting. which is again fairly simple. I like my renders to not take AGES. Most of the animation scenes take about 4-5 seconds per frame. So the forest was as basic as it needed to be. Paul's date cutaway was another external set that required a suburban feel to it. so I modeled some simple houses and kept camera angles to a minimum and focused only on what I needed. it was a very short scene so keeping the set small was important... but I could probably use it again in future should the need arise.<img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586352_28415006.webp" alt="iu_1586352_28415006.webp" data-smart-scale="764,295">Voodoo Vids itself as a set is the biggest and most detailed because I wanted a space where I can point the camera pretty much anywhere and have a great shot. A lot of time was spent on that, but it still needs work and more will come to the set eventually. Another huge time save has been using multiple cameras within the same scene and swapping between them. traditionally I would've worked on one scene per camera shot, but using Blenders camera marker system I can have multiple cameras that I can cut to whenever I need. so I can animate the whole scene in one blend file. This also makes it easier to alter small parts or fix things in post easier without having to dig through a load of different scene files. MUFFINMuffin the Dog was referenced in the <a href="https://voodoovids.newgrounds.com/news/post/1619729">Spooky Zine</a> and fun fact, he is voiced by our own dog Podrick. Recording his various noises is fun. To get his taco crunching sounds we used a Poppadom, he very much enjoys working with us when there's food involved.<img src="https://img.ngfiles.com/image-uploads/000/001/586/iu_1586356_28415006.jpg" alt="iu_1586356_28415006.jpg" data-smart-scale="764,764">The next two episodes will probably be a little shorter again too not keep the gaps too long between them. AND for the finale there's going to be another great addition to the page that you can all experience and join in. more on that soon.We may even see some more new characters too!! FINAL NOTEThank you all for watching and a special thanks to Bruce Campbell and Director Sam Raimi for making a bonkers horror franchise that inspires fans and creators still to this day.As for Voodoo Vids please share it if you can, tell people about It! Your support is greatly appreciated with every like, vote, comment. It will be available on youtube next week, right now they remain as Newgrounds exclusives at launch.If you want to know anything else about production or things I've not mentioned here, then please ask. more than happy to answer any questions.See you in the next one! and look out for the next edition of the Spooky Zine for some more info soon!

Voodoo Vids - #4 In Bruce We Trust

Whoops, unsure what happened with <a href="https://www.newgrounds.com/portal/view/1026056">that last upload</a>. It appears those darn supernatural forces are tampering with my stuff again. Hate it when that happens. Anyways, I gave them some Snickers bars so they should be away for a while. Here's the upload of the episode as originally intended. Gonna copy over the description too. This is the sixth episode of Roasted Meatloaf, originally made in 2023 (though I think production started in 2021 when the fifth episode was being made.) After the efforts put into the previous one, I decided to make this one a bit simpler. Despite that, the methods of production still evolved a bit. This episode moved away from recordMyDesktop for the screen-recorded sequences and instead utilized Deepin Screen Recorder, which at the time I apparently had no idea apparently originates from a Chinese Linux Distribution named Deepin, which was previously based primarily on Ubuntu and Debian. I'm an Ubuntu user myself, so I guess that's why I got it through the software center around that time. The graphics for this episode shifted back into primarily being made using GIMP. However, Inkscape still remained involved, both for reused elements such as the Inkscape version of my character as well as some newly made assets. Jeff returns as a main role, although he has no lines. Alongside Jeff's return to the spotlight, some elements from previous episodes also play a part. Additionally, this episode confirms that Jeff is also called "J. J." sometimes, which I developed upon him theoretically being a "Jeff J." of some kind. I experimented a bit with using 3D Blender graphics within the 2D world for one part. There was a bit of an animation error with it, but apparently I couldn't bother myself to fix it so I just put up a sign on the wall in the previous shot that explains it in-universe. Speaking of Blender, I've decided to pivot from using Clipchamp to make the credits and re-renders for these version to using Blender for those tasks instead. I just sort of felt like pivoting towards a somewhat better way of editing things. However, I did write out the credits in Clipchamp before deciding to switch to Blender, and I had to consult that so I could copy over the text, so Clipchamp is still credited for having some kind of involvement. Oh also the opening logo text slightly changed again for this episode. I guess I kind of had to do that because it opens on a white background so no one could see it if there was no outline, but the addition of an outline will also remain in use for later episodes. That's the bulk of the details behind this episode I guess. Enjoy if you'd like, don't if you'd rather not.

("Good Ending") Roasted Meatloaf S1 E6 - Fools Rush Out (Newgrounds Edition)

What if a Shantae game had animated Game Over Screens?

This is an idea I had heavily based on a Game Over screen featured in the game Vorpal Rabbit 2

Shantae Game Over Screen - Orc’s Roast

Game Over

Episode Summary: Tahnis and Parker go back to Earth. After Parker tells Tahnis about President Wilbert’s plan to find the rest of the wands to take over the Universe, Tahnis tells Parker about a friend who has more knowledge about the 6 Wands. But will this friend be willing to help Tahnis and Parker? Power Corrupts is a series I started on YouTube. I am now planning on uploading all the episodes here on Newgrounds so that Newgrounds users can see my videos. Don’t forget to rate the video. Voice Acting:Tahnis: MyselfWizy: <a href="https://monstercolliez.newgrounds.com">@MonsterColliez</a>Parker: <a href="https://tatsutheburgeon.newgrounds.com">@TatsuTheBurgeon</a>Catheryn: <a href="https://vampfairyx.newgrounds.com">@VampFairyX</a> The list of music used is at the end of the video. Everything else was done through me. I write the script myself, draw the art on FlipaClip, and edit on iMovie. Music and sound effects are screen recorded from YouTube, Roblox, Minecraft, etc. The backgrounds are mostly built in Minecraft, or downloaded Minecraft maps from other creators, with some backgrounds being from various Roblox games.

THE SOLAR WITCH | Power Corrupts Ep. 2

A journalist by the name of Tahnis Walart must escape the dictator Wizy Wilbert.

Episode Summary: A once democratic nation on the moon by the name of the Lunar Republic, has been taken over by a fascist dictator by the name of Wizy Wilbert. President Wilbert kidnaps a critical film director by the name of Tahnis Walart and plans on killing him. Can Tahnis escape the tyrannical clutches of President Wilbert? Power Corrupts is a series I started on YouTube. I am now planning on uploading all the episodes here on Newgrounds so that Newgrounds users can see my videos. Don’t forget to rate the video, and sharing it would be nice too. Voice Acting:Tahnis: MeWizy: <a href="https://monstercolliez.newgrounds.com">@MonsterColliez</a>Parker: <a href="https://tatsutheburgeon.newgrounds.com">@TatsuTheBurgeon</a>Background Characters: <a href="https://fihake.newgrounds.com">@fihake</a> The list of music used is at the end of the video. Everything else was done through me. I write the script myself, draw the art on FlipaClip, and edit on iMovie. Music and sound effects are screen recorded from YouTube, Roblox, Minecraft, etc. The backgrounds are mostly built in Minecraft, or downloaded Minecraft maps from other creators, with some backgrounds being from various Roblox games.

PRIDEFUL AMBITION | Power Corrupts Ep. 1

A lost game commercial from the early 90s!

VIDEO DESCRIPTION:Enjoy this animated trailer I made for MRPR's new game, DANCIN' DIVAS!I worked on this trailer from September 19 - November 22. I stayed up many nights getting it done before the deadline. The frame by frame animation was the hardest part, I have little experience in animation, but I'm really happy how smooth it came out. I was heavily Inspired by 2 Game Commercials, Super Mario Land 2 and The Popeye Videogame. Super Mario Land 2 Commercial:<a href="https://www.youtube.com/watch?v=gZm5cXRShO4" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=gZm5cXRShO4</a> Popeye Videogame Commercial:<a href="https://www.youtube.com/watch?v=tTGUameYJmk" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=tTGUameYJmk</a> I had a great time working with MRPR. I designed 4 Boss Characters, 1 enemy, 2 levels, 2 mini games, a boat, all the Screen Layers, The casting, and I voiced all the Male Enemies, even Van Bad Himself.I'm so happy the game is finally out! Play the game now! ;) GAME DESCRIPTIONA robbery has taken place! Four Diva's from around the world are showcasing their treasures at the local lounge but things have gone south. It's time to fight back!--------------------------------------------------------------------------------------------------------------------------------------------------------------- CREDITS FULL SCRIPT, ANIMATION, SOUND DESIGN, AND EDITING!:SED2116 LIVE ACTION SHOTS:<a href="https://x.com/datshadycorner" target="_blank" rel="noreferrer noopener">@datshadycorner</a> GAMEPLAY FOOTAGE:ShadoSamiSED2116 CAST (IN ORDER):Viva and Hina - <a href="https://x.com/MimiHung_VO" target="_blank" rel="noreferrer noopener">@MimiHung_VO</a>Bahati - <a href="https://x.com/FlirtyFawn696" target="_blank" rel="noreferrer noopener">@FlirtyFawn696</a>Sofia - <a href="https://x.com/CinderDryadVA" target="_blank" rel="noreferrer noopener">@CinderDryadVA</a>Van Bad and Male Voice Over - <a href="https://x.com/SED2116" target="_blank" rel="noreferrer noopener">@SED2116 (me)</a>

Dancin' Divas Commercial (1993)

What happens if the heroes just quit? Unlock the 'Bad Ending' of this failed adventure.

Ever wondered what happens if the heroes just... quit? I'm currently finishing up an Interactive Episode for my YouTube Channel (coming in 2 weeks!) where YOU get to choose the path the party takes via end-screens.But while I finish animating the "Good Endings", I wanted to share this unique "Bad Ending" here with you guys. This is what happens when the party decides the tavern is more important than saving the world. 🎲 FEEDBACK REQUEST: THE RPG UISince this is a "Game Over" test run, I'm also testing out the on-screen RPG mechanics (the dice rolls, skill checks, and success/fail banners).I want the mechanics to feel like a real TTRPG session without blocking the animation. Let me know your thoughts in the reviews! TECHNICAL STUFFFor all the animators and tech-heads in the community, the entire series is animated in Unreal Engine 5.As a solo creator just starting out, I'm leveraging high-quality assets from the Fab Marketplace. This workflow is what makes a project like this possible for me, allowing me to handle all the storytelling and cinematography myself.It's a huge learning process, so any feedback is welcome! SUPPORT US!The full Interactive Adventure drops on my YouTube Channel in 2 weeks. Follow me there to get notified when it goes live and play through the other endings!YouTube: <a href="https://www.youtube.com/@HeroicQuests_EN" target="_blank" rel="noopener noreferrer nofollow">https://www.youtube.com/@HeroicQuests_EN</a>

Heroic Quests: The Party Quits (Bad Ending)

The shorts were designed for vertical screens, so it probably looks wrong on here, but I'm happy with

Our Space

Pengilly - Boss

Rachel Adkins - Mary

Ray O’Hare - O.X 1

Momo Seto - O.X 2

Nate Washko - O.X 3

Elijah

Big Shot & Friends : Pilot

Sonic 1 on the game over screen.. and sorry about everything.. I'll probably quit.

Jet gets demotivated after Behavior in Basics

Abby finds herself stashed away for later use unless she can escape!

<a href="https://bsky.app/profile/saunterwing.bsky.social" target="_blank" rel="noopener noreferrer nofollow">[FEED]</a> | <a href="https://www.patreon.com/saunterwing" target="_blank" rel="noopener noreferrer nofollow">[PATREON]</a> | <a href="https://ko-fi.com/saunterwing" target="_blank" rel="noopener noreferrer nofollow">[KO-FI]</a>-----Oop!Seems <a href="https://bsky.app/hashtag/AbbyTheHalfling" target="_blank" rel="noopener noreferrer nofollow">#AbbyTheHalfling</a> found herself on the wrong side of the locker room,and on the wrong end of the locker door!Is she meant to stay there, or is someone coming back for her?She'd better escape quickly, or its... GAME. OVER.(prs. Strt. to Cont?)-----Dropbox archives, spicy extras and early access on<a href="https://www.patreon.com/saunterwing" target="_blank" rel="noopener noreferrer nofollow">www.patreon.com/saunterwing</a>

Game Over: Locked-in Locker!

Art, animation and character design by me, no AI.

***

Happy Valentine's Day, everyone!

Shake dem hips, girl!

This is a mockup animation that I created in Blender and I feel proud of how good it is.

I've been creating His name was Erik title screen mockup over the last week, and I'm really proud of how good the animation is! Have fun enjoying it!ヾ(•ω•`)o (Oh my god, I really need to get into programming so that it becomes real game...)

His name was Erik title screen mockup

She loves to rear and used to deliver mail, she has a lost brother that I wonder if she will ever meet

B-Bubble CRASH!

[SUPERCHAT] I Don't Think This Parasocial Relationship Is Working Out

The lost 90's gaming magazine 'Game Crazy' makes a triumphant return!

The lost 90's gaming magazine 'Game Crazy' makes a triumphant return!! Embark on a journey with beloved mascots Coin-Op and Split-Screen as they make their way through the hottest new releases. Will they make they be able to defeat the shadow king of Dragon Journey? Or become World Boxing Champion?? Well, looks like you gotta read it to find out!!! This is an animated for a REAL over 80 page comic that YOU can read RIGHT NOW!! Read it for FREE: <a href="https://jordanhamiltonart.cargo.site/Comic" target="_blank" rel="noopener noreferrer nofollow">https://jordanhamiltonart.cargo.site/Comic</a> Pay to read it (If you feel like it): <a href="https://bigboylittlecity.itch.io/gamecrazycomic" target="_blank" rel="noopener noreferrer nofollow">https://bigboylittlecity.itch.io/gamecrazycomic</a> Instagram: jordan.hamilton.art Twitter: lazyliving456

Coin-Op Comic Trailer! (2023 Animation)

Tifa gets her Ass filled by cloud over and over.

Tifa and Cloud Take A Break

I've had for a while, but only now did I come up with the idea to test animation and see how it can move

Robotsito elastic

A short animation I made trying to replicate the style of old CGI, mostly Silicon Graphics which was used to make renders for Donkey Kong Country, Final Fantasy, and more.
It's loosely imitating a Gam…

Robin Raid part 2: game over animation

Captain Unikitty
took a long time to do but I did it
this one is the full version without a black screen

The Storm (music video)

New game over screen friday night funkin

available on Patreon: https://www.patreon.com/posts/captain-hardcore-89174505

Full Change List:

NEW: Flexible

Captain Hardcore Trailer

A short LEGO animation about an 8-Bit style video game. And about how fun and frustrating these games can be. Title animation made with Blender. Game over screen drawn in Krita. Animated with Eagle Animation (Héron Animation). Music made in Cakewalk. Composited and edited in DaVinci Resolve.

Johnny Thunder's Jungle Jumper

Location of Origin: Earth?
Role: Gaslighting

An example of a culture that SHOULD have been assimilated in the ancient Roman Republic's conquests, the Community has miraculously survived multiple atta…

Meet the Community (A Team Fortress 2 animated collaboration/clip compilation)

Hey everyone, PC update 0.15 is now available to download!

Get it here!

This update adds over 50 new face pre-sets which make it possible to create much more varied characters! The improved image pl…

Captain Hardcore 0.15 now available! 👽

Yes this is a cover of "Undefeatable" I made.

Face your fear

Pay tribute to your dark queen!

This is a little screen recording from the sandbox mode for Projekt Melody a Nut Between worlds a up coming next gen hentai game!

Projekt Melody: A nut between Worlds…

Worshiping Melware

Music:
EarthBound - Caverns of Winters

Sonic 2 - Mystic Cave Zone (Tee Lopes cover)

Sonic 1 - Drowning

MIMIC CD - Halloween Hack

Chris, Zach, and Lyle take a stroll down Sesame Street and come across a peculiar stand.

OneyPlays Animated: Political Kermit

Clip Studio Paint (For animating)
Vegas Pro (For editing)
FL Studio 20 (For composing Classic Sonic's Game

Sonic.EYX - Game Over Screen (ANIMATED REMAKE)

I've based this on the 'mario party ds anti-piracy' video.