Official fanfare opening for Roadkill Studios (Est. 2018)

This is the official opening/fanfare/ident for Roadkill Studios™. Roadkill Studios™ is a dark multimedia production studio established December 2018. Roadkill Studios aims to bring films, interactive media, and music easily accessible online. Music and artwork composed by myself. NOTICE: Roadkill Studios™ produces fictional, animated works that may containdisturbing, graphic, or otherwise mature material. These works arecreated for artistic, satirical, introspective, and/or documentarypurposes and are not intended to deliberately offend. Allcharacters appearing in these works are entirely fictitious, anyresemblance to real persons, living or dead, is purely coincidental.These works do not contain any AI generated images or music. Someworks may contain flashing lights, disturbing imagery, or othermaterial that some may find upsetting. These works are intended formature audiences only and are not directed toward children.Viewer discretion advised.

Roadkill Studios: Official Opening

Read the description for lore and detailed programme information.

Conquer the Foe To all those whose truth has been silenced or forgotten.— RKS _______FOREWORD:Conquer the Foe is Roadkill Studios first ever short film. It is a hand-drawn anti-incidentalist film which pays homage to classic point-and-click Flash game culture. The film began development in March 2025, and was composed, illustrated, edited, written, and published by one amateur artist. All music and artwork was created by me, although some characters and visual elements are deliberate homages to, adaptations of, or parodies of works that influenced the film. At the centre of the film is the film theory principle of anti-incidentalism. The notion that every visible character in a film must have a defined history and identity, irrespective of whether that history is immediately apparent to the viewer. The film is therefore intended to be experienced not merely as a graphic chase scene, but as insight into fragments of a larger world beyond what the viewer sees on screen. The need for a film like this is to fulfil the duty of laying the groundwork for a comprehensive anti-incidentalist narrative long term. In some respect, the "art" of anti-incidentalism is to attempt to prepare for questions that will be asked in the future. The film was created both as an exploration of this principle and as a personal homage to the visual and artistic style of 2010s Flash games. Conquer the Foe is the first major release under Roadkill Studios, and it represents the start of a wider body of work that the studio will continue to develop over time. _______ACKNOWLEDGEMENTS:Hundreds of hours were dedicated to the completion of this short film. Although entirely created by one individual, we must thank the developers whose artistic influences enabled this film to be made in the first place. We thank Chriss Martin, Yan Lepage, Mario Boutin, Jo Fortier and Josee Godbout for Desolation: The Stages of Anxiety. Their work on this project is noted for the prominent grim-minimalist art style and inspiration for many character designs in the film. Stage 1 was constructed as a tribute to Desolation.Credit: <a href="https://www.kongregate.com/en/games/webcypher?page=7" target="_blank" rel="noreferrer noopener">https://www.kongregate.com/en/games/webcypher?page=7</a> We thank Hyptosis for The Sagittarian and for his excellent hand-drawn style, which inspired the horde/chase elements of the film and several character designs, particularly in Stage 2.Credit: <a href="https://hyptosis.newgrounds.com/">https://hyptosis.newgrounds.com/</a> We thank Mateusz Skutnik for Submachine, and for over 20 years of consistent artistic output and contribution to the point-and-click genre, the influence of which cannot go unnoticed for this film.Credit: <a href="https://www.mateuszskutnik.com/" target="_blank" rel="noreferrer noopener">https://www.mateuszskutnik.com/</a> We thank Patrick Majewski for Monster Basement and its sequel. These games established an artistic vision that largely inspired Stage 2. We also thank Patrick Majewski for permission to include The Mud Vile from Monster Basement as part of this film.Credit: <a href="https://godlimations.newgrounds.com/">https://godlimations.newgrounds.com/</a> We thank Igor Stravinsky for The Rite of Spring. A composition that completely redefined modern music and paved the way for many of the film soundtracks released in the last century. From the creator:To my mentors from the conservatory — whose names have been omitted for privacy — I thank you for your knowledge and expertise in which you shared with great generosity. The role of mentor should not be undervalued, for the role they play in forming a trainee's professional (and sometimes personal) life can be profound. Their contributions both directly and indirectly have helped shape the vision of this film and will define all future Roadkill Studios productions. I remain indebted to them for their dedication, patience, and time they commit to providing guidance and mentorship. _______Stage Descriptions:<ul><li>Prelude - The point in time before any disturbance. The prelude is the calm before the storm.</li></ul> <ul><li>Stage 1 - The first stage is the experience of a sudden distressing event; this stage is the realisation that something has gone horribly wrong as panic sets in.</li></ul> <ul><li>Stage 2 - This is the stage where panic is quickly replaced by a state of blunt, numbing dissociation.</li></ul> <ul><li>Stage 3 - Stage three is where the density of consciousness reaches its breaking point. Sanity is erased following a flash of light, and the incomprehensible suddenly becomes known.</li></ul> <ul><li>Stage 4 - Consciousness returns hours later; the embers of the previous stages continue to burn as comprehension slowly reconsolidates. Episodes of delirium continue, with flashes of mnemonic rupture followed by further disorientation. The acute event is over but effects fluctuate over several hours.</li></ul> Support Roadkill Studios on Ko-Fi: <a href="https://ko-fi.com/roadkillstudiosofficial" target="_blank" rel="noreferrer noopener">https://ko-fi.com/roadkillstudiosofficial</a> NOTICE: This film contains disturbing, graphic, and mature material. This film was created for artistic and introspective purposes and is not intended to deliberately offend. All characters appearing in this film are entirely fictitious; any resemblance to real persons, living or dead, is purely coincidental. This film does not contain any AI-generated images or music. This film contains flashing lights, disturbing imagery, or othermaterial that some may find upsetting. This film is intended for mature audiences only and is not directed toward children.Viewer discretion advised. “It is necessary to say and to think that Being is; for Being is, and Nothing is not.”— Parmenides, On Nature, fragment B6

Conquer The Foe

music video i made for my band, using old images from archives

WARNING: FLASHING LIGHTS music video i made for my bandimages sourced from the Netherlands National Archive (<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUZZTVljR2JhVUpPX3NrV3ZORU40VHVBdnhoRnxBTl9pYzRjeHVkZUNLTV9lRjV6YTNta2w2QXQ3NE5TM01nR0ItVlJ0N0pfZjNmSTBvai1FMlhYdWhmN3JzQXZXU2dtTTZFcFRIb0haUEpRRkVBWk9lS2FPcGlGQUJYTHRCWGhW&amp;q=https%3A%2F%2Fwww.nationaalarchief.nl%2F&amp;v=UrvF26UlXgU" target="_blank" rel="noreferrer noopener">https://www.nationaalarchief.nl/</a>) youtube link:<a href="https://www.youtube.com/watch?v=UrvF26UlXgU" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=UrvF26UlXgU</a> an assortment of programs were used for this video. it was edited, graded, and composited in premiere pro. this is my last major project on premiere pro, i've since switched to davinci resolve. premiere fought me trying to render this video. it would not render it. i eventually had to do some nesting stuff to get it render, which is kinda dumb. it's what made me finally switch to resolve studio, though, which is a good thing. my pain <img src="https://img.ngfiles.com/image-uploads/000/001/676/iu_1676072_21288647.png" alt="iu_1676072_21288647.png" data-smart-scale="764,370"> all of the 2D graphics and photo editing was done in affinity photo. this is not affinity by canva, but the original affinity by serif. it's an awesome photoshop alternative, it's a shame you can't get it anymore. <img src="https://img.ngfiles.com/image-uploads/000/001/676/iu_1676081_21288647.webp" alt="iu_1676081_21288647.webp" data-smart-scale="764,413"> the 3D stuff, mainly the crow, was done in gmod. i setup the scenes in hammer++ (thanks ficool2), did some basic scripting for the npc_crow's pathing, then recorded that in gmod. <img src="https://img.ngfiles.com/image-uploads/000/001/676/iu_1676082_21288647.webp" alt="iu_1676082_21288647.webp" data-smart-scale="764,397"> after that, i brought it into premiere and keyed out the white background, so i was just left with a silhouette. here's the full premiere timeline. it would look a lot more complex, but most of the shots are nested. <img src="https://img.ngfiles.com/image-uploads/000/001/676/iu_1676091_21288647.webp" alt="iu_1676091_21288647.webp" data-smart-scale="764,390"> it was a fun mv to make! i got to explore avenues i typically don't. and i'm even more glad it made me switch to resolve! i'm having a much better time with resolve than i did with premiere. also, perpetual license. i got premiere through my college, but i'm about to graduate, so i needed to switch anyway. you can listen to the album this is from everywhere. here's the link my band's site.<a href="https://liabilityluke.com/unraveling" target="_blank" rel="noreferrer noopener">https://liabilityluke.com/unraveling</a> Software used:Editing, Grading and Compositing: Adobe Premiere Pro3D Animation: Garry's Mod / Hammer++Graphics and Editing: Affinity Photo Camera gear used:Canon C100 Mark IICanon EF-S 18-135mm f/3.5-5.6 IS STMSuper-Takumar 55mm f1/.8 Song specs:Written and arranged by Liability Luke (Abigail Royal) and meProduced, recorded, mixed, and mastered in Ableton Live 11CPU: 13th Gen Intel Core i7-13700K

Unraveling

This is a fananimation about Touhou:Project & Madness Combat

The main video is finally out! Sorry to keep you all waiting an extra day. After a full year of production—where we were working on it almost every single day, and FH_KEviL_WenBoSt was practically working 24/7 during the final stretch—Episode 4 is finally complete.Note: This animation contains some graphic wounds and depictions of violent action. If you feel uncomfortable, please exit in time. Also, as this is a fan-made work, please do not watch it with the expectation that it strictly follows the original canon. After Reimu dealt with the two little devils and took a brief rest, she continued her mission: to find the mastermind behind the Scarlet Mist Incident—Remilia. But how could it be easy to get in touch with the boss of a faction? From this point on, fairies start to appear in more variants: there are those specializing in throwing knives, more elite-type big fairies, and the most difficult existence to deal with—Remilia's highest-ranking subordinate, the Head Maid of the Scarlet Devil Mansion, Sakuya Izayoi. She is currently the toughest enemy, and the battle against her takes up a significant portion of the animation. Thank you so much for all your support for this animation. See you all in the next episode, Episode 5.Happy Madness Day 2026! Behind the Scenes:The production of this episode went through many difficulties, including but not limited to: the production software crashing, lighting effects exceeding the software's limits, excessive asset sizes making it difficult to export, and wasted production time due to my communication and handoff issues. My relationship with FH_KEviL_WenBoSt also got strained for a while, but fortunately, it didn't severely impact the production, and we managed to finish it before Madness Day ended. Actually, Episode 4 was originally planned to end at the 8-minute mark, but I got carried away making the scene of Reimu fighting Sakuya and added over 2 extra minutes. Luckily, it was completed in the end. The successful release wouldn't have been possible without FH's help; he only slept for 8 hours over these three days, spending the rest of the time producing and exporting. Huge thanks to him for his help. I might need to take a break for a while now. Thanks again for everyone's support.

TouHou Madness Project ep4

Do you ever consider how fragile you are?

Do you ever consider that you are a machine? So one of the things I do aside from make animations is work on tools for making art with code. This is an attempt at making something with those tools. All the visuals are coded up using p5.js, an open-source graphics library I help maintain, within butter.video (my day job!), a browser-based motion graphics editor where you can write and edit graphics code in a timeline. <img src="https://img.ngfiles.com/image-uploads/000/001/641/iu_1641358_2731551.webp" alt="iu_1641358_2731551.webp" data-smart-scale="764,463">For a long time I've wanted something like Flash to exist again where you can pop open the Actions panel and write some code, and also continue to edit on the timeline, and that's basically what Butter can do now for p5.js code! Since this is primarily useful for motion graphics rather than character animation, I made something that can be mostly motion graphics. Is the spoken word cringe? Maybe a bit! But we could all use to be a bit more cringe sometimes.

Your Body Is A Machine

Buzz Bunny... Well, erm... Burns the blunt I supopose.

So this is a bit of an unanticipated upload but the next Screwypilled Tooncels cartoon still isn't complete and I'm trying to relax on my California trip since it's not that long(next time I wanna stay longer for SURE though I love it here) despite me initially wanting to have completed it here so I can say I made a cartoon in California.... I still wanted to deliver something though and I remembered Dirty Soda had a character, Dizzy, from this cartoon. This is my Illustration class project final, originally screened on April 24th of this year. I wanted to use my animation expertise in a classroom full of Graphic Design majors, though the animation is very limited since it wasn't an animation class. It almost looks like Rocky and Bullwinkle at times. But everyone was absolutely howling. I made some changes from the version I showed in class though, you can see that version <a href="https://www.youtube.com/watch?v=jp_Sp5WWOWg" target="_blank" rel="noreferrer noopener">on YouTube.</a> Namely, I changed the background music to <a href="https://pixabay.com/music/modern-jazz-the-ghost-of-shepardx27s-pie-glbml-112816/" target="_blank" rel="noreferrer noopener">Ghost of Sheperd's Pie</a> by Geoffrey Burch because apparently Happy Go-Lively by Laurie Johnson from the Ren and Stimpy soundtrack isn't public domain/copyright-free despite feeling like it should be tbh, and I didn't find out until after I had made that version. I also got rid of the film grain since that was actually added at the request of my professor when I explained I was parodying old PSA cartoons like One Beer and Sonic Sez, and changed the name to Buzz Bunny Burns The Blunt to differentiate it from the Screwypilled Tooncels One Joint cartoon. Another key difference is that I restored the suicide joke cut from the version I presented in class. But enough yapping, you guys let me know which version you like best. Here's concept art. I initially tried making Buzz look as stupid as fuck as possible. Just look at this idiot:<img src="https://img.ngfiles.com/image-uploads/000/001/621/iu_1621726_25934615.webp" alt="iu_1621726_25934615.webp" data-smart-scale="764,430"> As well as this comic version I made to present to my class alongside the animated version to promote my portfolio site to classmates:<img src="https://img.ngfiles.com/image-uploads/000/001/621/iu_1621728_25934615.webp" alt="iu_1621728_25934615.webp" data-smart-scale="764,1019">

Buzz Bunny Burns The Blunt

In the game, you learn computer graphics as you guide polygonal creatures through a world made of logic

Shaderland::Swizzle's Journey

A proof of concept for the cutscenes in our planned Graphic Novel NSFW game.

This is just proof of concept for the cutscenes in our planned Graphic Novel NSFW game - Estate of The Late. As stated in the <a href="https://queencomplex.net/eotl/" target="_blank" rel="noreferrer noopener">Estate of The Late’s public page</a> gameplay paragraph – the main gist of the game is mostly exploration and socialization. This is an example of how we intend the “socialization” aspect to be like – presented through a sort of fully voiced animatics. We hope you’d like to hang with girls like these. Of course, the real Sex Scenes will be fully animated. All of the voices here were done by AaimzTako (<a href="https://x.com/Aaimz" target="_blank" rel="noreferrer noopener">@Aaimz</a>). There will likely be separate actresses for some of the characters, but I think it is safe to say that Aaimz has definitely locked down the role for Angelica (The blond girl). Subscribers get to hear behind-the-scenes alternative take with <a href="https://x.com/Nami955" target="_blank" rel="noreferrer noopener">Nami955</a> voicing Dorothy (the tomboy). We are aware that the game development updates here haven’t been rolling in very often; they are more frequent for our subscribers. That is because we have been juggling with 3-4 different projects at the same time, now we will be significantly leaning on to rule34 animation – specifically the Sirens’ Cage animation. In turn, there will now be much less Rule34 drawn content, because animation production better synchronizes with the development of this game project that we are making.So from here on expect more updates on the “Sirens’ Cage” animation – we aim to finish that Late Spring or Early Summer.

Estate of The Late - Test Cutscene

Drawing application: Sketchbook, Krita

Animation app: Krita (on PC)

Tool: Tablet, Graphic Tablet

Song

lasagna meal

Check out our 2026 showreel, showing off our full range of 2D styles across 2D animation, hand-drawn,

Cut the Mustard Showreel 2026

a trans body horror humpty dumpty cartoon

The child of Humpty Dumpty longs for an identity outside his life of atristocratic solitude and unknowingly begins a terrifying transformation. (Get it? Cuz he's an EGG!) Premiered at GENDERMATION: Presented by The Joy Who Lived on 4/11/2026. Animation, Script, and Voice Acting by Tucker Wooley Music provided by YouTube's Royalty Free Music Library -"Decline" by Kevin MacLeod"Black Vortex" by Kevin MacLeod The Official HATCH Playlist is <a href="https://open.spotify.com/playlist/5WJRFW2wg3WqwljqRFLYX0?si=789ea9a275894041" target="_blank" rel="noopener noreferrer nofollow">https://open.spotify.com/playlist/5WJRFW2wg3WqwljqRFLYX0?si=789ea9a275894041</a> (still working on migrating from spotify, terrible company)- "In a Lake" by Mitski- "Transgender Dysphoria Blues" by Against Me!- "Black Crow" by Girls Rituals- "Angel Eyes and Basketball" by Foot Ox- "Sick Child" by Siouxsie and the Banshees- "All Alone in My Big Empty Apartment" by Bomb the Music Inudstry!- "Starburned and Unkissed" by Caroline Polachek- "I/Me/Myself" by Will Wood- "Bella Lugosi's Dead" by Bauhaus- "Pain" by Boy Harsher- "Please Please Please Let Me Get What I Want" by Deftones- "Shipwreck" by Mount Kimble- "Army Of Me" by Bjork- "Tear You Apart" by She Wants Revenge- "PAIN" by King Princess- "Eggshell" by Little Kid- "Gender Nightmare" by Art Project- "Uzumaki" by The Scary Jokes- "They/Them/Theirs" by Worriers- "Asleep" by The Smiths- "DEADNAME!" by FLASCH- "A Fragile Thing" by The Cure- "Gentleness" by Sister Wife Sex Strike- "Void the Sun" by Of Mermaids- "Wasteland" by The Ink Bats- "Lost Girls" by Tears for the Dying- "Where Sad Boys Go Dancing - Fragrance. Remix" by Marble Slave- "I Think I Finally Love Myself" by She/Her/hers- "Over My Dead Name" by Over My Dead Name- "Crybaby" by Destroy Boys- "not a man" by small dad- "Peach Pit" by Rosie Tucker- "Sweet Cis Teen" by Dazey and the Scouts- "Late Bloomer, Baby" by Pearly- "1916" by Cake Bake Betty- "ist halt so" by Mandy, Indiana- "It Must Change" by ANOHNI, Antony and the Johnsons- "Disintegration" by 0th3rw0rldly- "Know Yourself" by Kae Tempest- "Southland Tales" by Lex Walton- "L-Dopa" by Laura Stevenson- "Big Bird" by AJJ- "Cut Me Open" by Um Jennifer? "This Film Was Made Without AI" graphic organized by Oripeerdream and hundreds of real human artists. The intro is free and open source, please visit <a href="https://thisfilmwasmadewithoutai.newgrounds.com" rel="nofollow">@ThisFilmWasMadeWithoutAI</a> for more info! Did you like the film and wanna see it at horror/queer film festivals? Me too, but submission fees are expensive and I’m absurdly broke! Donate to my Patreon, Ko-Fi, or buy some stickers, zines, and prints fron me, if you feel so inclined - it’ll help me build a HATCH Festival Nest Egg. For all past, present, and future eggs. <a href="http://tuckerwooley.com" target="_blank" rel="noopener noreferrer nofollow">tuckerwooley.com</a><a href="http://patreon.com/TuckerWooley" target="_blank" rel="noopener noreferrer nofollow">patreon.com/TuckerWooley</a>

HATCH

Whoops, unsure what happened with <a href="https://www.newgrounds.com/portal/view/1026056">that last upload</a>. It appears those darn supernatural forces are tampering with my stuff again. Hate it when that happens. Anyways, I gave them some Snickers bars so they should be away for a while. Here's the upload of the episode as originally intended. Gonna copy over the description too. This is the sixth episode of Roasted Meatloaf, originally made in 2023 (though I think production started in 2021 when the fifth episode was being made.) After the efforts put into the previous one, I decided to make this one a bit simpler. Despite that, the methods of production still evolved a bit. This episode moved away from recordMyDesktop for the screen-recorded sequences and instead utilized Deepin Screen Recorder, which at the time I apparently had no idea apparently originates from a Chinese Linux Distribution named Deepin, which was previously based primarily on Ubuntu and Debian. I'm an Ubuntu user myself, so I guess that's why I got it through the software center around that time. The graphics for this episode shifted back into primarily being made using GIMP. However, Inkscape still remained involved, both for reused elements such as the Inkscape version of my character as well as some newly made assets. Jeff returns as a main role, although he has no lines. Alongside Jeff's return to the spotlight, some elements from previous episodes also play a part. Additionally, this episode confirms that Jeff is also called "J. J." sometimes, which I developed upon him theoretically being a "Jeff J." of some kind. I experimented a bit with using 3D Blender graphics within the 2D world for one part. There was a bit of an animation error with it, but apparently I couldn't bother myself to fix it so I just put up a sign on the wall in the previous shot that explains it in-universe. Speaking of Blender, I've decided to pivot from using Clipchamp to make the credits and re-renders for these version to using Blender for those tasks instead. I just sort of felt like pivoting towards a somewhat better way of editing things. However, I did write out the credits in Clipchamp before deciding to switch to Blender, and I had to consult that so I could copy over the text, so Clipchamp is still credited for having some kind of involvement. Oh also the opening logo text slightly changed again for this episode. I guess I kind of had to do that because it opens on a white background so no one could see it if there was no outline, but the addition of an outline will also remain in use for later episodes. That's the bulk of the details behind this episode I guess. Enjoy if you'd like, don't if you'd rather not.

("Good Ending") Roasted Meatloaf S1 E6 - Fools Rush Out (Newgrounds Edition)

Elliot and Katey are Back and ready to fight the consumer hoardes!

Elliot and Katey are Back and ready to fight the consumer hoardes, as Donald's master plan is revealed. all copyrighted music has been edited out, make sure to tune into the one on my YT channel which will have copyrighted music and be (IMO) the superior version,(i might change my mind) since many jokes rely on copyrighted music and will explain why random graphics show up, i should also have time to fix some graphical errors. sorry everybody but its the sacrifice you have to make when newgrounds isn't owned by corporations. Starring Josh Bennett as Elliot Rodriguez, Donald Davison, Others... Starring Cher (Ch3r_N0byl) as Katey Hoffman, Stacy Stevenson, Others.. check out her page! (WARNING NSFW) <a href="https://www.fiverr.com/ch3r_n0byl?source=inbox" target="_blank" rel="noopener noreferrer nofollow">https://www.fiverr.com/ch3r_n0byl?source=inbox</a> the uncensored version will be on my YouTube channel (Public on 22nd feb this Sunday 6-7ish pm [ha ha 67! i have brain-damage] : <a href="https://m.youtube.com/@SaintwareProductions/featured" target="_blank" rel="noopener noreferrer nofollow">https://m.youtube.com/@SaintwareProductions/featured</a>

Total Assimilation S01E02: Revelations (NEW EPISODE)

The first teaser trailer for Skobeloff Forest's pilot episode: Kloe's Song!

Kloe? Kloe, can you hear me? Kloe's Song (Skobeloff Forest's musical pilot episode!) follows the daughters of a serial killer, Kloe (Valeria Rodriguez-Overwatch, Ranma, Monster High) and Shelly (Andrea Avery-IWEYG) as they struggle through their early 20s after a confusing childhood. A portal opens itself to Kloe and the familiar voice of her beloved father, Celestino, (Alejandro Saab-Marvel Rivals, Genshin) lures her into a spirit world that promises all the answers to the past… Skobeloff Forest is an upcoming indie animated series (TV-14) that promises theatrics, 1980’s nostalgia, angst and endless cartoon wackiness. For fans of Gravity Falls, Fiona and Cake and Five Nights at Freddy’s. Our pilot episode includes original music by the talented Revenge Wife. Animation takes time as you all know... We are working hard every day to get more content out for all of you to enjoy! Skobeloff Forest has been 100% SELF FUNDED, a passion project since 2022! If you would like to support the project, we have a PATREON &amp; KO-FI open, alongside an ETSY SHOP with lots of Skobeloff Merchandise! We also will be attending conventions around PA, NJ, NY. Thank you all for watching and supporting Skobeloff!! We have much more planned ahead and we can't wait to share the world of Skobeloff Forest with you!! -Olivia Page (Creator) &amp; Yuri Kijek (Co-Creator) ★ SUPPORT THE SHOW ★☆ Patreon: <a href="https://www.patreon.com/SkobeloffForest" target="_blank" rel="noopener noreferrer nofollow">https://www.patreon.com/SkobeloffForest</a>☆ Ko-Fi: <a href="https://ko-fi.com/skobeloffforest" target="_blank" rel="noopener noreferrer nofollow">https://ko-fi.com/skobeloffforest</a>Skobeloff Forest is a musical indie animated series with a love for theatrics and horror! In 2007, the two daughters of an infamous small-town serial killer must enter a dreamlike world to save their broken relationship. Created by Olivia Page and developed by sibling duo Olivia Page &amp; Yuri Kijek.★ FOLLOW US ★☆ Website: <a href="https://skobeloffforest.com" target="_blank" rel="noopener noreferrer nofollow">https://skobeloffforest.com</a>☆ Twitter: <a href="https://x.com/skobeloffforest" target="_blank" rel="noopener noreferrer nofollow">https://x.com/skobeloffforest</a>☆ Instagram: <a href="https://www.instagram.com/skobeloffforest" target="_blank" rel="noopener noreferrer nofollow">https://www.instagram.com/skobeloffforest</a>☆ Bluesky: <a href="https://bsky.app/profile/skobeloffforest.bsky.social" target="_blank" rel="noopener noreferrer nofollow">https://bsky.app/profile/skobeloffforest.bsky.social</a>☆ Tiktok: <a href="https://www.tiktok.com/@skobeloffforest" target="_blank" rel="noopener noreferrer nofollow">https://www.tiktok.com/@skobeloffforest</a>☆ Creator: SealChomps CREDITSDirectors: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page</a> &amp; <a href="https://www.instagram.com/yurikijek/" target="_blank" rel="noopener noreferrer nofollow">Yuri Kijek </a>Script: <a href="https://www.instagram.com/yurikijek/" target="_blank" rel="noopener noreferrer nofollow">Yuri Kijek </a>Script Editor: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Animation Director: <a href="https://www.instagram.com/rachel_the_hobbit/" target="_blank" rel="noopener noreferrer nofollow">Rachel Gitlevich </a>Rough Animation: <a href="https://www.instagram.com/rachel_the_hobbit/" target="_blank" rel="noopener noreferrer nofollow">Rachel Gitlevich</a>, <a href="https://www.instagram.com/tomuraglacier/" target="_blank" rel="noopener noreferrer nofollow">Tomura Glacier</a>, <a href="https://www.instagram.com/swirlseypop/" target="_blank" rel="noopener noreferrer nofollow">Bee “Swirls” Tucker </a>Cleanup Animation: <a href="https://www.instagram.com/vedushi.sinha/" target="_blank" rel="noopener noreferrer nofollow">Vedushi Sinha</a>, <a href="https://www.instagram.com/lazaropotion/" target="_blank" rel="noopener noreferrer nofollow">Vega Lázaro</a>, <a href="https://www.instagram.com/kadejwestbrook/" target="_blank" rel="noopener noreferrer nofollow">Kaden Westbrook </a>FX Animation: <a href="https://www.instagram.com/rachel_the_hobbit/" target="_blank" rel="noopener noreferrer nofollow">Rachel Gitlevich</a> &amp; <a href="https://www.instagram.com/tomuraglacier/" target="_blank" rel="noopener noreferrer nofollow">Tomura Glacier</a> Compositor: Aurélie Galibois &amp; <a href="https://www.instagram.com/vedushi.sinha/" target="_blank" rel="noopener noreferrer nofollow">Vedushi Sinha </a>Storyboard Artists: Ariel Song &amp; <a href="https://www.instagram.com/kadejwestbrook/" target="_blank" rel="noopener noreferrer nofollow">Kaden Westbrook </a>Background Design Lead/Background Director: <a href="https://www.instagram.com/cristina_zuniga_art/" target="_blank" rel="noopener noreferrer nofollow">Cristina Zuniga </a>Background Painter: <a href="https://www.instagram.com/aspentri/" target="_blank" rel="noopener noreferrer nofollow">Laura Walsh </a>Character Designer &amp; Character Layout Artist: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Concept Artist: <a href="https://www.instagram.com/lazaropotion/" target="_blank" rel="noopener noreferrer nofollow">Vega Lázaro </a>Plush Toy Illustrations: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Audio Director/Sound Designer: <a href="https://www.instagram.com/thom_halle/" target="_blank" rel="noopener noreferrer nofollow">Thomas Halle </a>News Intro Music: <a href="https://www.instagram.com/tayloritkinofficial/" target="_blank" rel="noopener noreferrer nofollow">Taylor Itkin </a>News Intro Video: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Outro Music: <a href="https://www.instagram.com/tayloritkinofficial/" target="_blank" rel="noopener noreferrer nofollow">Taylor Itkin</a> (Based on the original music "Kloe’s Song" by <a href="https://www.instagram.com/revengewife/" target="_blank" rel="noopener noreferrer nofollow">Revenge Wife</a>) Outro TV Background: <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Video Editing: <a href="https://www.instagram.com/hadys_dye/" target="_blank" rel="noopener noreferrer nofollow">Rosa Toivanen</a> &amp; <a href="https://www.instagram.com/sealchomps/" target="_blank" rel="noopener noreferrer nofollow">Olivia Page </a>Graphic Design (News Layout, End Credits Screens): <a href="https://www.instagram.com/deadaliveguy/" target="_blank" rel="noopener noreferrer nofollow">Wolfgang Gotthardt </a> Kloe Acosta: <a href="https://www.instagram.com/valeriarodriguezvo/" target="_blank" rel="noopener noreferrer nofollow">Valeria Rodriguez</a>Celestino Acosta:<a href="https://www.instagram.com/kaggyfilms/" target="_blank" rel="noopener noreferrer nofollow"> Alejandro Saab</a> Sara Matthews (Newscaster) &amp; Evelyn: <a href="https://www.instagram.com/marisaduran/" target="_blank" rel="noopener noreferrer nofollow">Marisa Duran </a>

Skobeloff Forest★Kloe's Song Teaser #1

AfterMath of Planktons Death somethings worse has become the multiverse now

here is Part 8 of My family guy Fan Film I went for that slightly realistic old retro ps2 graphics era but in my style with good better lighting.

Peter Griffin Fan Fight Part 8

Music by Armin Jusuframić, performed 2025, <a href="https://arminjmusic.com/" target="_blank" rel="noreferrer noopener">https://arminjmusic.com/</a>Thank you so much for this fantastic dark ambient reinterpretation! The original version of this comic-animatic was drafted around 2010. Dead Space was the game that motivated me to buy my first proper gaming computer back in the 2010s.Back then, during a gaming party with some friends, one of them introduced us to Dead Space which he played in his Xbox 360. I was Blown away. I was unaware of the advancements in horror gaming and loved the immersive environment and creature designs. So I started saving for both a custom gaming computer from a small PC building business(a Rig which would also serve me for art and design) and a physical copy at an Office Depot (I didn't know of Steam until the sequel came out). While I was setting apart the money to buy my gaming rig, thanks to the immense hype and anticipation I started drawing the original version of this comic. This scenario was drawn thanks to the lore that my friend who owned the game at the time, told us while he was playing, and I also listened to the lullaby posted here <a href="https://www.youtube.com/watch?v=bpYz4EQVo1w&amp;list=RDbpYz4EQVo1w&amp;start_radio=1" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=bpYz4EQVo1w&amp;list=RDbpYz4EQVo1w&amp;start_radio=1</a>, Something to note is that, prior to drafting the original version I didn't see the marketing trailer, I didn't watch other gameplays or youtube videos, I didn't check the Wikia, and the character references for drawing were scarce on the internet. As you see that version was left incomplete. I was lacking some art skills, and the figures and books from the game were not very available in my country until much, much later. I got my PC and my game and forgot about it for a long while. I picked up this fan art piece, after many years as it was a fun exercise in graphic narrative, and now I learned a bit of extra skills to properly finish comics. For the storytelling, I took inspiration from the Lullaby and used the lyrics as symbolisms to narrate the sequence within these pages. This is the tought process and break-down of the panels you see: Twinkle Twinkle, Little Star (glowing eyes)How I wonder what you are (a lifeform, a necromorph)Up above the world so high (necromorph falls from the ceiling)Like a diamond in the sky (Necromorph's glowing eye+ The Miner looking up)When the blazing sun is gone, (Sun=Miner's life)When the nothing shines upon, (Darkness=Miner's death)Then you show your little light (Little light=Infector's Proboscis, sign of reincarnation/life, tunnel of light while dying or near death)Twinkle, twinkle, all the night. (All the night=Time Passing, transformation ongoing, preparing to return to life as a new form) Then the traveler in the dark, (Isaac)Thanks you for your little spark, (living monster=uncleared area )He could not see which way to go, (path unexplored, exit level is near)If you did not twinkle so. (if Isaac didn't find a living Necromorph) When the blazing sun is gone, (Marker blocks sunlight)When the nothing shines upon, (Darkness=Marker is the source of the nightmare)Though I know not what you are, (the necromorph looming behind)Twinkle, twinkle, little star. (necromorph glowing eyes, little star= a lifeform) I haven't checked newest sources or lore expansion to see if what I "saw" in the lyrics was accurate to the story's representation XD. But still, wanted to finish this. Thanks so much for watching! I hope to get/play the reboot and buy its artbook soon!

Twinkle Twinkle Little Star

The Tooncels all gather round at Rick's crib to wait for Santa Daddy

The Tooncels all gather round at Rick's crib to wait for Santa Daddy. What has he got in his sack?~~~~~~~~~~~~Commentary:So yeah Merry late Christmas! Here's the fashionably late Christmas cartoon. It was sort of a bitch and a half to animate singing for the first time and at some parts it straight up looks like some characters are having a seizure but I like how it turned out and there's some sentimentality to it but of course I had to put in jokes. I recorded each of the characters singing verses and then stacked them on top of each other for the authenticity of having it sound like it actually sounds when children are singing in a chorus, everybody off-key and on different parts of the song. And no, the character who kind of sounds like Rick and points out Santa's fat sack isn't an animation error that's actually Bandit, he was a character I had in mind at the conception of this series and was one of Rick's classmates in Demon Dilemma who I wanted to have lines in that but couldn't think of a way to integrate and the thing was already long enough so I cut for time and I decided to finally have him properly speak before the year ended so he can be one of the OG characters. He was actually originally a ferret but then I came up with Freddy based on the Japanese ferret pet pages that show on my social media feed so Bandit became a weasel but now I'm realizing he kind of looks like a kangaroo or maybe some sort of chihuahua. I'll probably have fun in the future riffing on his species ambiguity. There's randomly a little more "political" humor in this than in previous ones idk why not really partisan it's just I randomly had the string of words 'Kamala Harris bikini magazine' come to mind and knew it was planted to my brain from God to put that out in the world. Also featuring JFK's cutie patootie grandson. Gave a shoutout to some of my friends from the art department I hope to collab with in the new year and dedicated this to a dear Twitter mutual who died earlier this year. Audio courtesy of Pixabay, video editing done in Premiere Pro and text graphics done in Adobe Illustrator. <a href="https://www.youtube.com/watch?v=f8tgcbUfVlA" target="_blank" rel="noreferrer noopener">YouTube version. You'll note that there's a slight difference between the NG and YT versions. It's that I had a new idea for a joke the morning I posted to NG and didn't post to YT till later. I also began to edit the credits accordingly so my NG handle is present in the NG version and my YT handle in the YT versions.</a>

Screwypilled Tooncels: Have Yourself A Screwy Little Christmas

She’s back! Your favorite voice of Gen-Alpha tells it like it is - one letter at a time!

Executive Producer:John “F” Fountain DirectorEvmorfia “Skye” Manousaki Head of ProductionTiger Singh Production CoordinatorAmanda V Bonilla Chief Solutions OfficerJason Stratton Creative CoordinatorTy Walker Production AssistantJomei Bernier Administrative AssistantsAshley (WickedBowserJr)Brooke McCan With the voice talents:Ethan Nacis as the TeacherRachel Adkins as the Little Girl Voice DirectorEvmorfia “Skye” Manousaki Lead AnimatorLathan Tedford Animators:Lathan TedfordSofia Delgado RiggingLathan TedfordWinter A. Storyboard ArtistJulie Reedy Storyboard RevisionistAndrew Bokole Background ArtistTy Walker Character DesignersAnita VargasLathan TedfordMariana MagalhãesTyler Holden Concept ArtistsMariana MagalhãesWeirtyuo Thumbnail ArtWeirtyuo Title CardAnita Vargas Graphic DesignerVincenzo Giampietro Promotional Logo ArtistLathan Tedford Promotional ArtistsWeirtyuoLord MaruEGGU Music ComposerAtlasGeneticist Sound DesignerAtlasGeneticist EdtiorJeremy A. Freed ©2025John Fountain

Spelling Bees of the (VERY) Near Future!

Hello Hello !!

This is The First episode and First Part of SPIDERMARIO (Aka The Amazing SUPER MARIO)

Hop'yuh Like it !!

-----------------------------------------------------------------------------…

EPISODE 01 US - SPIDERMARIO

https://x.com/HugotheBat

Patreon: https://www.patreon.com/c/HugoTheBat

Amazon: https://www.amazon.com/dp

Edgar Allan Poe - The Hugo

The Russian Bat ExperimentDuring the Cold War, Soviet scientists in Magadan began experiments weaponizing nature itself. They wanted to spread deadly viruses over enemy borders using small animals as carriers. The laboratory-made viruses were so potent that they killed most animals instantly, which presented a logical challenge for the scientists... to find a vector that could survive the virus when humans could not. They decided to try vampire bats. These were ideal creatures because they were accustomed to feasting on the blood of diseased and dead animals and had natural immunity to some of the manufactured viruses’ deadliest features.Unfortunately, these tropical bats could not survive the brutal Russian winter, even in a controlled environment. The project stalled until they could breed a new type of resilient vampire bat. One with thick fur, a robust constitution, and an increased blood storage capacity. Augmented by Pleistocene gene splicing and radiation exposure, the scientists produced twelve abnormally large vampire bats suitable for the toughest climates. Despite their size and density, when they were injected with the deadly virus these genetic monsters withered and died. All except one. A very special bat.This test subject was much larger than the others. Perhaps that is why he could endure the deadly chemicals injected into his veins. His oily wings were heavy and the thick leather membrane squeaked when he splayed his clawed fingers. His belly was swollen and he breathed in long, loud gasps. Most horrifying of all and unlike any bat every recorded, this creature could speak. He called himself HUGO.The scientists, terrified yet driven by the overmastering spell of discovery, attempted to train Hugo. They spoke to him and taught him the rudiments of reading and writing. In time, he could carry a conversation with his “hosts” as he called them. When he performed his tasks well he was rewarded with blood that was drawn from political prisoners in the Gulag and stored in huge vats. Hugo drank, and drank, and drank. The more blood he took in, the more he needed. He demanded more and refused to cooperate with the training regimen. Eventually he reversed the scientists’ role. Instead of rewarding him with blood when he performed to their expectations, he had trained them to provide blood in exchange for compliance. When he was interrogated by intelligence officials about his creators Hugo laughed, and in a guttural voice, sticky and wet, he called the researchers “little meat packets.”Once, when looking at a picture of the night sky, Hugo spoke his true mind. He wanted to be set free from the laboratory so he might “taste all the kinds of blood in the world.” “Let me fly,” he Demanded in tone that hinted of mockery and threat. “You keep me here. You deprive me. You starve me.”The overseers of the project had condemned the project long before. The plans to disperse viruses through animal vectors was deemed unreasonably dangerous. They had only allowed Hugo to exist thus far out of sheer, horrified curiosity. Despite the scientific opportunities such a creature presented, authorities commanded Hugo’s termination. An execution squad armed with rifles marched into the laboratory with orders to arrest the scientists and destroy all evidence of their abominable work. But they were too late. The entire research staff was dead. They lay curled in contorted positions, drained, shrink wrapped in their own pallid skin and collapsing inward like emptied sacks. Hugo had vanished, but before he left he had scrawled with the tip of his claw on the outside of the facility... “Fresh blood tastes best.”Reports arrived two days later from the nearest Gulag. All of the prisoners and guards were reduced to leathery husks. Not a single drop of blood remained in their veins. Victims were found all along the so-called “Road of Bones”, the path Hugo had taken on his way into the heartland of Russia. Then, suddenly, in the deep cold of winter, the killings stopped. The rampage ended.Few records survived the purges, but one NKVD memo marked “Not for Distribution” declared the “Experiment was Contained.” Decades passed in relative silence. Rumors were squashed with ridicule. Families of the decedents were paid off or threatened into silence. “Hugo” became a boogeyman to frighten unruly children.That was, until two years ago when a derelict fishing trawler was found on Turkey’s Black Sea coast. Inside, every crewman was dead. Pale, their veins collapsed, drained of blood. Their skeletons were wrapped in dry skin, twisted into positions of eternal agony. Only one piece of evidence hinted at the cause. Scratched into the rusted iron hull of the ship were the words:“Hugo is Famished”.......................... Spread this creepypasta far and wide! Hugo the Bat is a new webcomic with a 160 page graphic novel already available for purchase. Pages will be uploaded on Twitter and Patreon between now and Halloween, but if you don't want to wait consider buying a copy.Ko-Fi: <a href="https://ko-fi.com/hugothebat" target="_blank" rel="noopener noreferrer nofollow">https://ko-fi.com/hugothebat</a> Imgur: <a href="https://imgur.com/user/HugoTheBat/posts" target="_blank" rel="noopener noreferrer nofollow">https://imgur.com/user/HugoTheBat/posts</a>Twitter: <a href="https://x.com/HugotheBat" target="_blank" rel="noopener noreferrer nofollow">https://x.com/HugotheBat</a>Patreon: <a href="https://www.patreon.com/c/HugoTheBat" target="_blank" rel="noopener noreferrer nofollow">https://www.patreon.com/c/HugoTheBat</a>Amazon: <a href="https://www.amazon.com/dp/B0FL2C8LLJ" target="_blank" rel="noopener noreferrer nofollow">https://www.amazon.com/dp/B0FL2C8LLJ</a>YouTube: <a href="http://www.youtube.com/@HugoTheBat" target="_blank" rel="noopener noreferrer nofollow">www.youtube.com/@HugoTheBat</a>Merch! <a href="https://hugo-the-bat-shop.fourthwall.com/" target="_blank" rel="noopener noreferrer nofollow">https://hugo-the-bat-shop.fourthwall.com/</a>All proceeds go to my son's college education fund. Hugo was written by a father and son team without the use of AI. In fact we drew it in MS Paint. Videos are not monetized. Music clips are the property of the copyright holders.

The Russian Bat Experiment - Animated Creepypasta

Bats (1999) Trailer starring Hugo!

It's the end of the world! Chini is not allowed outside

Follow Chini's quest with guitar in hand as she tries to escape her (hen) mother's lockdown in her surreal bus-house which travels through the chilean bus road 'Vía Lo Orozco' through many locations towards the capital city. I had the amazing opportunity to animate this pixel-art music video for Chini.png ! Awesome indie rock artist from Chile and this seemed a compatible work to share here on Newgrounds (made me think of classic sprite animations), hope it's a fun watcht! (: Video Credits Direction, script, Character designs and Animation - Antonio VillamandosDirection Assistance, script and background art - ChiniGraphic design and script - Gonzalo Morales All characters animated in the amazing Aseprite. If you liked what you hear, please check out Chini.png's latest disc <a href="https://sellofisura.bandcamp.com/album/v-a-lo-orozco" target="_blank" rel="noreferrer noopener">Vía Lo Orozco</a>, here or on your favourite music platform! Full song credits and additional info on the Youtube link EDIT - 09/26 Woaaah thanks for Frontpage and Daily1st !!! (:

'Tímida' - Music Video

Ten years after the world's end... A slumbering hero awakens with one goal... REVENGE...Directed and Animated by: Chris Boylan Producer/Art Director: Jessica MoonMusic: Deadlife - OBSOLETE (Feat. Scandroid)Narrator: Chihaya Hanai (RASHA1M)Graphic Design: Gary "Bubba" Swarer <a href="https://www.patreon.com/c/zerosevenanimation" target="_blank" rel="noopener noreferrer nofollow">You can support this project by joining our Patreon!</a>

Cyberpunk Samurai - Redline Ronin: Rise

The official trailer for Hotel Story Part Two, a 120+ graphic novel written by Per Berg and drawn by

Hotel Story Part Two - Official Trailer

v=XZhpgFmK6Xw

Space Interior - https://www.youtube.com/watch?

Lost in Space

This is the 3rd part of the animation MiSide: MiniSized.

Hello everyone~!I made an animation for the 3rd part of MiSide: MiniSized but I can't upload the entirety of it on Youtube so I decided uploaded the full video here. I hope you all enjoy watching it~ Having just left Version 1.15, the Player finds himself suddenly falling high up in the air. Thankfully (and luckily), he landed on the soft chest of Sleepy Mita, which cushioned the fall.Not wanting to disturb her, the Player attempts to leave but as he was about to stand, she suddenly moves her body to a different sleeping position, accidentally making the Player slip inside of her clothes. With the Player trapped between her clothes (and her nipple), will he find a way to get out without waking her up, or just do the riskier move of waking her instead? A bit of a spoiler from here on out (I suggest that you watch the video first before reading anything beyond this point if you haven't already):The reason why it took me a while to do Part 3 is because I decided to make 2D Mita's section a game (of sorts)! I tried to learn most of the basics of RPG Maker this past few months (like watch several tutorials, visit RPG Maker forums for help and stuff) and made my first attempt to create a short game which will be the basis for 2D Mita's part in the story. I figured that this is the perfect way to do her part in the series as well as try out something a bit different from what I used to do.I called it a game of sorts since it's not really a full-fledged game as most of it will be dialogue-heavy (and I wanted it that way since her version in the original story is a Visual Novel) and this "game" is only limited to 2D Mita's sequence (it will return back to the original animation style after the Player leaves her version), but I'll try to incorporate a couple more minigames into it once I was able to complete it.I wanted to surprise everyone by making a short game to make up for the long wait but unfortunately, I still couldn't complete the rest of it in time so the video ended with a cliffhanger, but I'll try my best to finish her part (and the game in full) by next month. Note that the title of the game is not the game's version, but 2D Mita's version (her version wasn't really mentioned in the original story so I just made up a version between 1.15 and 1.0F and decided to name it Version 1.025D, the 25D referencing 2.5D, which is kind of what I'm aiming for when I created the game).As for the graphics, even though it's technically a 2D, I still used 3D models for the in-game scenes since I'm not really that confident when it comes to my drawing skills so I just made a model edit of 2D Mita (as well as the Chibi Player) and still used MMD to render them hence why I considered it as kind of a 2.5D game instead of pure 2D.Anyways, I also made a link to the game (it's sort of a demo since it's still incomplete at this point) for those who are interested in trying it out, though the game also ends as what the animation video showed but I'll still put it here just in case someone wanted to play it or they haven't finished watching 2D Mita's sequence in the animation video. There is also a bit of content/extra scene on the Game Over part when you failed the "Stomping Minigame" with her which I didn't put in the video since Game Overs are non-canon to the overall story anyways. Here is the link to the game: <a href="https://mega.nz/file/snk3DRRJ#_5VhFKAWOXccCLl7_XdNWs6Pyu-zUm1hk7nPKIb4VGM" target="_blank" rel="noreferrer noopener">https://mega.nz/file/snk3DRRJ#_5VhFKAWOXccCLl7_XdNWs6Pyu-zUm1hk7nPKIb4VGM</a> I hope you enjoyed the full video and look forward to the full game next month! If you like my videos and wanted to show some support, you can support me on my Patreon or Ko-fi. It helps me keep motivated to make more videos in the future! Patreon: <a href="https://patreon.com/RemKT" target="_blank" rel="noreferrer noopener">https://patreon.com/RemKT</a>Ko-fi: <a href="https://ko-fi.com/remkt" target="_blank" rel="noreferrer noopener">https://ko-fi.com/remkt</a>

MMD Giantess) MiSide: MiniSized (Part 3)

motion graphics class required a video to be made for the final exam, I figured I might have killed two birds

Sintax - Short 1: "The Three Kingdoms" (motion graphics class final exam project)

They are three completely separate games.

*If you remember us, we salute you!

Melody's Bad Ending

In 2007, the two daughters of an infamous small-town serial killer must enter a dreamlike world to save

SKOBELOFF SHORTS ★ Macey Wins A Ticket!

artist and painter EL SCORCHO presents his Hardcore Streetwear Collection called EL SCORCHO´S/King Shit

Exhibitions for the few masses

sugoi fkn sick graphics are gnarly man, I love MEDIAAAAAAAAAAAAAAAAA

Sick fkn title cards graphics

If you like UMBRELLA ACADEMY, WAYNE FAMILY ADVENTURES, or retro anime like SAILOR MOON, you will love

AVALON Rising - First Animatic Trailer

Hi , there , guys , its Gab here , that animation is my first time using adobe animate and my new graphics

My new artstyle

We all chipped in and discussed our favorite moments in the show and converted them to SNES graphics

Avatar The Last Airbender Demake for SNES

by Lunarlupin

Original Music - Brandon Lima Cachu

Edited by Charmer

PROGRAMS USED:

IbisPaintX (Art

[TRAITOR] The Hunted Father (Newgrounds Release) - PILOT

To learn his full story read the graphic novel!

Blunt Force Trauma - Punk Rock Time Machine

CONTENT WARNING: Fantasy Violence - Graphic Imagery

Two deities that cannot exist at the same time,

~Divinity:Duality~ | Full Animatic

- you can customize the time of the day, mute music or toggle graphics

- you can "pet" the dog
BGM

Lonely Friday

Art and Music Design: Kyle Kirenn
https://linktr.ee/kylekirenn

Editor and Graphic Designer: Nyasops